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8 MILLAS

"No importa quiénes seamos, no importa dónde vivamos, todos tenemos unos límites. A veces reales, a veces imaginados. Muchos de nosotros nos contentamos con vivir dentro de esos límites; otros están obligados a ello. Pero algunos necesitan romper esos límites, atravesarlos para salir fuera, aunque lo que les espere fuera sea algo desconocido o aterrador.

"Everybody on the 313 put your motherfucker hans up and follow me.

10 RAZONES PARA ODIARTE

"En primer lugar, Joey no es ni la mitad de hombre que tú. Y en segundo, nunca permitas que alguien te haga sentir que no te mereces lo que quieres.

"—No creas que de haberme besado habrías tenido algún efecto en mí.
"—¿Entonces, sobre qué tuve efecto?
"—A parte de mis reflejos vomitivos, nada.

"Nada de piercings ni tatuajes, ni rituales satánicos ni sacrificios de animales de ningún tipo... ¡Oh, Dios, les he dado ideas!

"—Señor Stradford, sólo es una fiesta.
"—Y el infierno es sólo una sauna.

"Estoy harta de que controles mi vida solo por que tú no controles la tuya.

"—¿Por qué me castigas, Kat?
"—¿No me castigas tú porque se fue mamá?

"—Escuchad... hoy he traído al mundo un par de gemelos de una chica de quince años, ¿y sabéis que me ha dicho?
"—¿Soy una puta del crack que debería haberle puesto a mi chulo un condón?
"—Casi. Dijo: "¡Debería haberle hecho caso a mi padre!"
"—Eso no es cierto.
"—Bueno, es lo que habría dicho de no estar tan drogada.

12 MONOS (1995) Twelve Monkeys

"No estoy loco, ahora lo entiendo. Soy mentalmente divergente". Bruce Willis .... James Cole

15 MINUTOS (2001) Fifteen Minutes

"Estamos locos. Sólo unos locos grabarían sus crímenes". Karel Roden .... Emil Slovak
"Me encanta América, nadie es responsable de sus actos". Karel Roden
.... Emil Slovak

21 GRAMOS (2003) 21 Grams

"Cuántas vidas vivímos?, ¿cuántas veces morimos?. Dicen que todos perdemos 21 gramos en el momento exacto de la muerte, todos. ¿Cuánto cabe en 21 gramos?, ¿cuánto se pierde?, ¿cuándo perdemos 21 gramos?, ¿cuándo se va con ellos?, ¿cuándo se gana?, ¿cuándo... se gana?. 21 gramos el peso de 5 monedas de 5 centavos, el peso de un colibrí, de una chocolatina. ¿Cuánto pesan 21 gramos?". Sean Penn .... Paul Rivers

¿Tranquilízate? ¡Mi marido y mis dos hijas están muertas y tengo que tomármelo con puta tranquilidad! ¡No puedo seguir viviendo como si nada! ¡Estoy paralizada, me han jodido y me han dejado amputada!, ¿Es qué no te das cuenta? ¿Y tú?, ¿y tú qué? Debes hacerlo por Michael, tienes su corazón, estás en su casa follándote a su mujer, ¡te sientas en su silla! ¡tenemos que matarle! Sean Penn .... Paul Rivers

21 gramos es el peso de un alma, tal vez el de un ruiseñor. Sean Penn
.... Paul Rivers
28 DÍAS (2000) 28 Days
"Todo el mundo hace daño a todo el mundo, esa es la condición humana". Dominic West .... Jasper
"Ningún ser humano adulto es feliz". Dominic West
.... Jasper
60 SEGUNDOS (2000) Gone in Sixty Seconds
"Sin una gran decepción, no se aprecian las victorias". Nicolas Cage .... Randall 'Memphis' Raines
"¿Qué te gusta más, hacer el amor o robar coches?
"—¿Podrás protegerlo?
"—Tendré que hacer cosas... cosas que te dije que no volvería a hacer...
"—Haz lo que sea necesario.

7 DÍAS Y UNA VIDA
"Hay cosas que te pasan... cosas que nunca esperas... y luego piensas: "¿si lo hubiera sabido hubiese cambiado algo?, ¿hubiese hecho algo más?, ¿o solo hubiese pensado necesito más tiempo?

"Una vez alguien dijo: "Vive cada día como si fuera el último, por que un día de estos lo será".
7 SAMURAIS (2005) Samurai 7
"El peligro siempre ataca cuando todo parece tranquilo". Kambei Shimada .... (voice: English version R. Bruce Elliott
"Cuando van a cortarte el cuello de que te sirve preocuparte por la barba". Gorobei Katayama
2001: UNA ODISEA EN EL ESPACIO (1968)
2001: A Space Odyssey

"Tengo miedo Dave... mi cabeza se va... siento que se va.

"Dr. Floyd: ¿Qué es eso? ¿Pollo?
"Dr. Bill Michaels: Algo así. El sabor es el mismo..

2013 RESCATE EN LOS ANGELES
"Cuanto más cambian las cosas, más siguen igual.
"Bienvenidos a la raza humana.
"Bonita historia, ¿tiene un pitillo?

"Bien, yo espero que usted esté contento. Angelina Jolie .... Lanie Kerrigan
"Defina "felicidad"
Edward Burns .... Pete (as Ed Burns)
"Su muerte.
Angelina Jolie .... Lanie Kerrigan

"En la vida hay un refrán, "Una imagen vale más que mil palabras."
"Eso sólo es para las personas que como usted no saben mil palabras.
"Yo sé dos, y la primera empieza por "H" y la segunda por "P"

A CASA POR VACACIONES
"Las opiniones son como el agujero del culo, todos tenemos uno y creemos que el de los demás apesta."
A CIVIL ACTION
"Si quieres derribar a alguien, procura que no se vuelva a levantar"
"Si buscas la verdad hazlo al fondo de todo"

A TODO GAS 1
"Pregúntaselo a cualquier piloto de verdad, da igual que ganes por un centímetro que por un kilómetro, ganar es ganar.

A TODO GAS 2

"

ABAJO EL AMOR 
"Es la primera vez que descarto tener un pasado común con un hombre antes que tener una oportunidad de tener un futuro con él". Sarah Paulson
ABIERTO HASTA EL AMANECER
"Puedo ser un bastardo, pero no soy un puto bastardo". George Clooney .... Seth Gecko
"En la muerte tendrás la paz que no te pude dar en vida". George Clooney .... Seth Gecko
"No creo en los vampiros, pero creo en lo que he visto.

"— Luche ahora, llore después. George Clooney .... Seth Gecko

"—¿A donde nos llevan?
"—A México.
"—¿Y qué hay en México?
"—Mexicanos.

"—Yo seré un perro al regazo de Satanás. Harvey Keitel .... Jacob Fuller

—Ya voy. ¿A qué cojones tanta prisa? Joder, maldita sea, pero bueno, ¿qué coño quieres?
—¿Qué te parece que quiero viejo capullo? Una puta habitación.
—Bueno, está bien.

—Bienvenido a la esclavitud.
—No, gracias, ya he estado casado.

"—¿Así que cuál es su nombre, querido?' Tom Savini .... Sex Machine
"—¿Cuál es suyo? Juliette Lewis .... Kate Fuller
"—Contento de encontrarla, querida. Tom Savini .... Sex Machine
ABRE LOS OJOS

"—Yo no quiero una careta, quiero una cara.

"—A ver, ¿Cómo quiere que se lo cuente? No lo iba a entender, no lo entiendo ni yo. Él se puso a hacer café, y yo empecé a cotillear en sus cosas. Y de repente, sentí esa estupidez que por lo visto le da a mucha gente.
- ¿Qué sentiste?
- Que la quería, ¡Dios! Me da vergüenza hasta decirlo.

"—¿La verdad? Puede que no la soportaras.

ACCIÓN MUTANTE
"Tira más pelo de coño que carro de bueyes"

"Hoy en día, el que no es gilipollas es moderno.

"La sociedad nos trató como mierda y ahora les vamos a dar por el culo. El mundo está dominado por niños bonitos hijos de papá...Dios, ¡Basta ya de mierdas light! Basta ya de colonias, de anuncios de coches, de aguas minerales... ¡no queremos oler bien, no queremos adelgazar! Sólo quedamos nosotros amigos, todo el mundo es tonto o moderno.
ACE VENTURA 
"Si no vuelvo en 5 minutos...¡esperen un poco más!". Jim Carrey
ACORRALADO
"Si quieres sobrevivir a una guerra, conviértete en guerra". Silvester Stallone
ADAPTATION. EL LADRÓN DE ORQUÍDEAS
"Tu eres lo que amas, no lo que te ame". Nicolas Cage
AEROPUERTO

"La única cosa que tenemos en común son los problemas"

AGENTE 007 CONTRA EL DOCTOR NO 
"Mi nombre es Bond, James Bond". Sean Connery
AIRBAG (1997)
"Vamos a llevarnos bien, porque si no van a haber hondonadas de ostias aquí, ¡eh!.". Manuel Manquiña .... Pazos
" ¿Cómo iba yo a saber que tenía ocho años? Me dijo que tenía veinte... ¡La culpa es de los padres, que las visten como putas!

" El concepto es el concepto.

" Lo mismo que te digo una cosa te digo la otra.

" Vamos a llevarnos bien, porque si no van a haber hondonadas de ostias aquí ¿eh?

" Tú tenías mucha razón, ¡no te hice caaaasooo! Hoy tengo que reconocer, ¡delante de un vaaasooo! ¡Aupa Depor!


" ¿Cómo iba yo a saber que tenía ocho años? Me dijo que tenía veinte... ¡La culpa es de los padres, que las visten como putas!

" ¿Cuánto queda? —No lo sé, pero esta es la última que me meto... o penúltima.

" Pazos, ¿tienes los diez kilos de centollos?
" ¿Centollos? No hombre no, eso es en los meses con erre: enero, febrero...
" ¡Pazos coño, los diez kilos de cen-to-llos!
" ¡Ah coño, el perico! Haber empezado por ahí.

" Entre el Señor Villambrosa y nosotros hay una gran alianza.
" ¡¡Hombre!! una alianza de 100 millones.
" 100 millones, ¡claro! La duda ofende. Profesional, ¡muy profesional!

" Pero antes ¿querran probar unos tiritos?
" No Pazos, ¡¡más tiros no!!

" Huelo a centollos!!!! Parate a esa curva!!!

" Eso no son formas, son alardes.

" Qué vicio tienes, criatura.

" Lo que... ¡Rediosss! ha unido, que no lo separe el hombre.

AL ESTE DEL EDÉN 
"Si te ilusiona hacerme un regalo, sé bueno en la vida, así me consideraré pagado".
Raymond Massey

AL LÍMITE 1999
"Salvar la vida de una persona es como enamorarse, yo hace mucho tiempo que no salvo a nadie". Nicolas Cage
AL SERVICIO DE LAS DAMAS

ALEJANDRO MAGNO

ALERTA MÁXIMA 2

ALGO EN COMÚN

ALGUNOS HOMBRES BUENOS
¿La ropa interior del coronel es una cuestión de seguridad nacional? Tom Cruise .... Lt. Daniel Kaffee

¿Qué usted quiere discutir ahora? ¿Mi color favorito? Jack Nicholson .... Col. Nathan R. Jessep

No me llame hijo. Soy un abogado y un oficial de los Estados Unidos, y usted está arrestado, hijo de puta. Tom Cruise .... Lt. Daniel Kaffee

—¡Ordenó usted el código rojo! Tom Cruise .... Lt. Daniel Kaffee
—¡Sí, joder! Jack Nicholson .... Col. Nathan R. Jessep

Si nunca una superior le ha hecho una mamada, no sabe lo que se pierde. Como yo soy coronel, tendré que esperar a que elijan a una mujer de presidenta de los Estados Unidos. Mientras, seguiré con las duchas frías... Jack Nicholson .... Col. Nathan R. Jessep

ALTA FIDELIDAD
¿Quiere un disco de Stevie Wonder para su hija? ¿Es qué su hija está en coma?
¿Estaba deprimido porque escuchaba música pop, o escuchaba música pop porque estaba deprimido?

AMADEUS
Yo puedo ser vulgar pero os aseguro que mi música no lo es.
¡Mediocres del mundo!, yo os absuelvo.

AMELIE

AMERICAN BEAUTY -
American Beauty, 1999
"Aquí me tienen. Cascándomela en la ducha. Para mí el mejor momento del día. A partir de aquí, todo va a peor". Kevin Spacey .... Lester Burnham

AMERICAN HISTORY X

AMOR A QUEMARROPA

AMOR CIEGO

AMOR CON PREAVISO

ANA KARENINA

ANNIE HALL

ANTES DE AMANECER

ANTES DEL ATARDECER

APOCALYPSE NOW

APOLO 13

ARMA LETAL 1

ARMA LETAL 2

ARMAGEDDON

ARMAS DE MUJER

ARSÉNICO POR COMPASIÓN

ASESINATO EN 8MM

ASTERIX Y OBELIX: MISIÓN CLEOPATRA

ATRAPA A UN LADRÓN -
To Catch a Thief, 1955
"Qué prefiere, ¿muslo o pechuga?". Grace Kelly .... Frances Stevens
"Lo que usted prefiera... Cary Grant .... John Robie
ATRAPADA

ATRAPADO EN EL TIEMPO

ATRAPADO POR SU PASADO

ATRÁPAME SI PUEDES

BANANAS

BATMAN

BATMAN BEGINS


BATTLE ROYALE

BE COOL

BEN-HUR

BERLIN OCCIDENTE

"Con cuidado cariño, es el día de la madre". Jonh Lund

BIENVENIDO MR. MARSHALL


BIG FISH


BLADE RUNNER


BLOW


BOB Y CAROL, TED Y ALICE -
Bob & Carol & Ted & Alice, 1969
Dyan Cannon: "Ya sé que te apetece. pero cariño, a mí no. ¿Es eso lo que quieres, hacerlo sin sentimiento por mi parte?".
Elliot Gould: "Sí".

BOLA DE FUEGO


BRAVEHEART


BUENAS NOCHES MADRE


CADENA DE FAVORES


CADENA PERPETUA


CAMINO A LA PERDICIÓN


CANDYMAN
"Dirán que he derramado sangre inocente, ¿pero para qué es la sangre sino para derramarla?".
Tony Todd

CARA A CARA


 

 


CASABLANCA
(1942)

"De todos los cafés del mundo, tuvo que elegir el mío". Humphrey Bogart .... Rick Blaine
"¡Tócala, Sam!. En memoria del pasado, ¡tócala!. Ingrid Bergman .... Ilsa
"No sé a qué se refiere señorita Wilson". Doole Wilson .... Sam
"¡Tócala Sam!. ¡Tócala!". Ingrid Bergman .... Ilsa
"!Si la has tocada para ella, puedes tocarla para mí, Sam!". Humphrey Bogart .... Rick Blaine
"No creo que me acuerde". Doole Wilson .... Sam
"Si ella ha sido capaz de escucharla, yo también.¡Tócala, Sam!". Humphrey Bogart .... Rick Blaine

"¿Por qué demonios vino a Casablanca?" Claude Rains .... Capt. Renault
"Mi salud. Vine a tomar las aguas". Humphrey Bogart .... Rick Blaine
"¿Qué aguas, las del desierto?" .... Capt. Renault
"Al parecer me informaron mal". Humphrey Bogart .... Rick Blaine

"Si ese avión deja el suelo y tú no estás en él, te arrepentirás. Quizá no hoy, quizá no mañana, pero pronto y por el resto de tu vida. Humphrey Bogart .... Rick Blaine
"¿Pero qué pasará con nosotros?. Ingrid Bergman .... Ilsa

"Siempre nos quedará París". Humphrey Bogart .... Rick Blaine

1 "Here's looking at you, kid." -- Humphrey Bogart (Rick) to Ingrid Bergman (Ilsa) at least three times during the course of the film

2 "Only one answer can take care of all our questions." -- Ilsa just before kissing Rick

3 "But of course, that was the day the Germans marched into Paris." "Not an easy day to forget. I remember every detail - the Germans wore gray, you wore blue." -- Interchange between Rick and Ilsa at his cafe after seeing each other for the first time in years

4 Mr. Leuchtag : Come sit down. Have a brandy with us.
Mrs. Leuchtag : To celebrate our leaving for America tomorrow.
Carl : Oh, thank you very much. I thought you would ask me, so I brought the good brandy. And - a third glass!
Mrs. Leuchtag : At last the day is came!
Mr. Leuchtag : Mareichtag and I are speaking nothing but English now.
Mrs. Leuchtag : So we should feel at home when we get to America.
Carl : Very nice idea, mm-hmm.
Mr. Leuchtag : [ toasting ] To America!
Mrs. Leuchtag : To America!
Carl : To America!
Mr. Leuchtag : Liebchen - sweetnessheart, what watch?
Mrs. Leuchtag : Ten watch.
Mr. Leuchtag : Such much?
Carl : Hm. You will get along beautiful in America, mm-hmm.

5 [ denying an official of the German National Bank entrance to the casino ]
Rick : Your cash is good at the bar.
Banker : What? Do you know who I am?
Rick : I do. You're lucky the bar's open to you.

6 Woman : What makes saloonkeepers so snobbish?
Banker : Perhaps if you told him I ran the second largest banking house in Amsterdam.
Carl : Second largest? That wouldn't impress Rick. The leading banker in Amsterdam is now the pastry chef in our kitchen.
Banker : We have something to look forward to.

7 Ugarte : Heh, you know, watching you just now with the Deutsche Bank, one would think you've been doing this all your life.
Rick : Oh, what makes you think I haven't?
Ugarte : Oh, n-n-n-nothing, but when you first came to Casablanca, I thought...
Rick : You thought what?
Ugarte : Hm, what right do I have to think, huh?

8 Ugarte : You know, Rick, I have many a friend in Casablanca, but somehow, just because you despise me, you are the only one I trust.

9 Berger : We read five times that you were killed, in five different places.
Victor Laszlo : As you can see, it was true every single time.

10 Captain Renault : Carl, see that Major Strasser gets a good table, one close to the ladies.
Carl : I have already given him the best, knowing he is German and would take it anyway.

11 Captain Renault : In 1935, you ran guns to Ethiopia. In 1936, you fought in Spain, on the Loyalist side.
Rick : I got well paid for it on both occasions.
Captain Renault : The winning side would have paid you much better.

12 Captain Renault : Rick, there are many exit visas sold in this café, but we know that you've never sold one. That is the reason we permit you to remain open.
Rick : Oh? I thought it was because I let you win at roulette.
Captain Renault : That is another reason.

13 Annina : Monsieur Rick, what kind of a man is Captain Renault?
Rick : Oh, he's just like any other man, only more so.

14 Ilsa : Play it once, Sam. For old times' sake.
Sam : [ lying ] I don't know what you mean, Miss Elsa.
Ilsa : Play it, Sam. Play "As Time Goes By."
Sam : [ lying ] Oh, I can't remember it, Miss Elsa. I'm a little rusty on it.
Ilsa : I'll hum it for you. Da-dy-da-dy-da-dum, da-dy-da-dee-da-dum...
[ Sam begins playing ]
Ilsa : Sing it, Sam.
Sam : [ singing ] You must remember this / A kiss is still a kiss / A sigh is just a sigh / The fundamental things apply / As time goes by. / And when two lovers woo, / They still say, "I love you" / On that you can rely / No matter what the future brings-...
Rick : [ rushing up ] Sam, I thought I told you never to play-...
[ Sees Ilsa. Sam closes the piano and rolls it away ]

15 Ilsa : I wasn't sure you were the same. Let's see, the last time we met...
Rick : Was La Belle Aurore.
Ilsa : How nice, you remembered. But of course, that was the day the Germans marched into Paris.
Rick : Not an easy day to forget.
Ilsa : No.
Rick : I remember every detail. The Germans wore gray, you wore blue.

16 Rick : Tell me, who was it you left me for? Was it Laszlo, or were there others in between? Or - aren't you the kind that tells?

17 Senor Ferrari : As the leader of all illegal activities in Casablanca, I am an influential and respected man.

18 Rick : Don't you sometimes wonder if it's worth all this? I mean what you're fighting for.
Victor Laszlo : You might as well question why we breathe. If we stop breathing, we'll die. If we stop fighting our enemies, the world will die.
Rick : Well, what of it? It'll be out of its misery.
Victor Laszlo : You know how you sound, Mr. Blaine? Like a man who's trying to convince himself of something he doesn't believe in his heart.

19 [ about Rick ]
Major Strasser : You give him credit for too much cleverness. My impression was that he's just another blundering American.
Captain Renault : We musn't underestimate American blundering. I was with them when they blundered into Berlin in 1918.

20 Ilsa : A franc for your thoughts.
Rick : In America they'd bring only a penny, and, huh, I guess that's about all they're worth.
Ilsa : Well, I'm willing to be overcharged. Tell me.
Rick : Well, I was wondering...
Ilsa : Yes?
Rick : Why I'm so lucky. Why I should find you waiting for me to come along.
Ilsa : Why there is no other man in my life?
Rick : Uh-huh.
Ilsa : That's easy: there was. And he's dead.

21 Major Strasser : Are you one of those people who cannot imagine the Germans in their beloved Paris?
Rick : It's not particularly my beloved Paris.
Heinz : Can you imagine us in London?
Rick : When you get there, ask me!
Captain Renault : Hmmh! Diplomatist!
Major Strasser : How about New York?
Rick : Well there are certain sections of New York, Major, that I wouldn't advise you to try to invade.

22 [ Rick and Renault discussing Victor Laszlo's chances of escaping Casablanca ]
Captain Renault : This is the end of the chase.
Rick : Twenty thousand francs says it isn't.
Captain Renault : Is that a serious offer?
Rick : I just paid out twenty. I'd like to get it back.
Captain Renault : Make it ten. I'm only a poor corrupt official.

23 [ Ugarte sells exit visas ]
Ugarte : You despise me, don't you?
Rick : If I gave you any thought I probably would.

24 Ugarte : Rick, think of all the poor devils who can't meet Renault's price. I get it for them for half. Is that so... parasitic?
Rick : I don't mind a parasite. I object to a cut-rate one.

25 Yvonne : Where were you last night?
Rick : That's so long ago, I don't remember.
Yvonne : Will I see you tonight?
Rick : I never make plans that far ahead.

26 [ Annina is contemplating Renault's offer of exit visas for sex ]
Annina : Oh, monsieur, you are a man. If somone loved you very much, so that your happiness was the only thing that she wanted in the world, but she did a bad thing to make certain of it, could you forgive her?
Rick : Nobody ever loved me that much.
Annina : And he never knew, and the girl kept this bad thing locked in her heart? That would be all right, wouldn't it?
Rick : You want my advice?
Annina : Oh, yes, please.
Rick : Go back to Bulgaria.

27 Captain Renault : How extravagant you are, throwing away women like that. Some day they may be scarce.

28 Captain Renault : What in heaven's name brought you to Casablanca?
Rick : My health. I came to Casablanca for the waters.
Captain Renault : The waters? What waters? We're in the desert.
Rick : I was misinformed.

29 Rick : I stick my neck out for nobody.

30 Major Strasser : What is your nationality?
Rick : I'm a drunkard.
Captain Renault : That makes Rick a citizen of the world.

31 Victor Laszlo : I know a good deal more about you than you suspect. I know, for instance, that you're in love with a woman. It is perhaps a strange circumstance that we both should be in love with the same woman. The first evening I came to this café, I knew there was something between you and Ilsa. Since no one is to blame, I - I demand no explanation. I ask only one thing. You won't give me the letters of transit: all right, but I want my wife to be safe. I ask you as a favor, to use the letters to take her away from Casablanca.
Rick : You love her that much?
Victor Laszlo : Apparently you think of me only as the leader of a cause. Well, I'm also a human being. Yes, I love her that much.

32 [ Of Victor Laszlo, who wants to escape from Casablanca ]
Captain Renault : No matter how clever he is, he still needs an exit visa... or I should say two?
Rick : Why two?
Captain Renault : He is traveling with a lady.
Rick : He'll take one.
Captain Renault : I think not. I have seen the lady.

33 Captain Renault : My dear Ricky, you overestimate the influence of the Gestapo. I don't interfere with them and they don't interfere with me. In Casablanca I am master of my fate! I am...
Police Officer : Major Strasser is here, sir!
Rick : You were saying?
Captain Renault : Excuse me.

34 Rick : I congratulate you.
Victor Laszlo : What for?
Rick : Your work.
Victor Laszlo : I try.
Rick : We all try. You succeed.

35 Rick : You know what I want to hear.
Sam : [ lying ] No, I don't.
Rick : You played it for her, you can play it for me!
Sam : [ lying ] Well, I don't think I can remember...
Rick : If she can stand it, I can! Play it!

36 Captain Renault : We are very honored tonight, Rick. Major Strasser is one of the reasons the Third Reich enjoys the reputation it has today.
Major Heinrich Strasser : You repeat *Third* Reich as though you expected there to be others!
Captain Renault : Well, personally, Major, I will take what comes.

37 Rick : Who are you really, and what were you before? What did you do and what did you think, huh?
Ilsa : We said no questions.
Rick : ...Here's looking at you, kid.

38 Major Strasser : We have a complete dossier on you: Richard Blaine, American, age 37. Cannot return to his country. The reason is a little vague. We also know what you did in Paris, Mr. Blaine, and also we know why you left Paris.
[ hands the dossier to Rick ]
Major Strasser : Don't worry, we are not going to broadcast it.
Rick : [ reading ] Are my eyes really brown?

39 Senor Ferrari : Might as well be frank, monsieur. It would take a miracle to get you out of Casablanca, and the Germans have outlawed miracles.

40 [ after observing the gambling tables at Rick's ]
Customer : Are you sure this place is honest?
Carl : Honest? As honest as the day is long!

41 [ as he goes to hand Renault a bribe ]
Jan Brandel : Captain Renault... may I?
Captain Renault : Oh no! Not here please! Come to my office tomorrow morning. We'll do everything businesslike.
Jan Brandel : We'll be there at six!
Captain Renault : I'll be there at ten.

42 Rick : How can you close me up? On what grounds?
Captain Renault : I'm shocked, shocked to find that gambling is going on in here!
[ a croupier hands Renault a pile of money ]
Croupier : Your winnings, sir.
Captain Renault : [ sotto voce ] Oh, thank you very much.
[ aloud ]
Captain Renault : Everybody out at once!

43 Rick : Of all the gin joints, in all the towns, in all the world, she had to walk into mine.

44 Ilsa : Kiss me. Kiss me as if it were the last time.

45 Rick : And remember, this gun is pointed right at your heart.
Captain Renault : That is my least vulnerable spot.

46 Captain Renault : Major Strasser has been shot. Round up the usual suspects.

47 [ last lines ]
Rick : Louis, I think this is the beginning of a beautiful friendship.

48 Rick : Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa : But, Richard, no, I... I...
Rick : Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Captain Renault : I'm afraid Major Strasser would insist.
Ilsa : You're saying this only to make me go.
Rick : I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
Ilsa : But what about us?
Rick : We'll always have Paris. We didn't have, we, we lost it until you came to Casablanca. We got it back last night.
Ilsa : When I said I would never leave you.
Rick : And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now... Here's looking at you kid.

49 Captain Renault : Realizing the importance of the case, my men are rounding up twice the usual number of suspects.

50 Captain Renault : Oh no, Emil, please. A bottle of your best champagne, and put it on my bill.
Emil : Very well, sir.
Victor Laszlo : Captain, please...
Captain Renault : Oh, please, monsieur. It is a little game we play. They put it on the bill, I tear up the bill. It is very convenient.


CASI FAMOSOS


CASINO ROYALE
"No pueden matarme, mi pais reaccionará, mandarán una carta". Woody Allen
CAYO LARGO


CHINATOWN
"Chinatown" (1974), dirigida por Roman Polanski.
Policia: "¿Qué le pasa en la nariz, amigo, para tener que llevarla escayolada?".
"Nada". Jack Nicholson .... Jake 'J.J.' Gittes
Policia: "Pues debe dolerle mucho".
"Solo cuando respiro".
Jack Nicholson .... Jake 'J.J.' Gittes
CIUDADANO KANE

1 "Rosebud."--the dying word of Charles Foster Kane (Orson Welles)

2 "I am, have been, and will always be only one thing--an American."--Kane

3 "It'll probably turn out to be a very simple thing."--Mr. Rawlston (Philip Van Zandt), referring to Rosebud

4 "I think it would be fun to run a newspaper!"--Walter Parks Thatcher (George Coulouris)

5 "You provide the prose poems, I'll provide the war."--Kane

6 "I only saw her for one second. She didn't see me at all. But I'll bet a month hasn't gone by since that I haven't thought of that girl."--Mr. Bernstein (Everett Sloane) to Jerry Thompson (William Alland)

7 [ first lines ]
Charles Foster Kane : Rosebud.

8 Female reporter : If you could've found out what Rosebud meant, I bet that would've explained everything.
Thompson : No, I don't think so; no. Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn't get, or something he lost. Anyway, it wouldn't have explained anything... I don't think any word can explain a man's life. No, I guess Rosebud is just a... piece in a jigsaw puzzle... a missing piece.

9 Charles Foster Kane : You know, Mr. Bernstein, if I hadn't been very rich, I might have been a really great man.
Thatcher : Don't you think you are?
Charles Foster Kane : I think I did pretty well under the circumstances.
Thatcher : What would you like to have been?
Charles Foster Kane : Everything you hate.

10 Charles Foster Kane : Hello Jedediah.
Leland : Hello, Charlie. I didn't know we were speaking...
Charles Foster Kane : Sure, we're speaking, Jedediah: you're fired.

11 Charles Foster Kane : I always gagged on the silver spoon.

12 [ Quoting from Kane's letter ]
Walter Parks Thatcher : I think it would be fun to run a newspaper.

13 Bernstein : Harvard, Yale, Princeton, Cornell, Switzerland... he was thrown out of a lot of colleges.

14 Emily : Really Charles, people will think-...
Charles Foster Kane : - -what I tell them to think.

15 Bernstein : President's niece, huh? Before Mr. Kane's through with her, she'll be a president's wife.

16 Bernstein : There's a lot of statues in Europe you haven't bought yet.
Charles Foster Kane : You can't blame me. They've been making statues for some two thousand years, and I've only been collecting for five.

17 Bernstein : We never lost as much as we made.

18 Charles Foster Kane : The news goes on for 24 hours a day.

19 Charles Foster Kane : We have no secrets from our readers. Mr. Thatcher is one of our most devoted readers, Mr. Bernstein. He knows what's wrong with every issue since I've taken charge.

20 Jedediah Leland : You still eating?
Charles Foster Kane : I'm still hungry.

21 Charles Foster Kane : You're right, I did lose a million dollars last year. I expect to lose a million dollars this year. I expect to lose a million dollars *next* year. You know, Mr. Thatcher, at the rate of a million dollars a year, I'll have to close this place in... 60 years.

22 Leland : Bernstein, am I a stuffed shirt? Am I a horse-faced hypocrite? Am I a New England school marm?
Bernstein : Yes. If you thought I'd answer you any differently than what Mr. Kane tells you...

23 Reporter : Mr. Kane, how did you find business conditions in Europe?
Charles Foster Kane : How did I find business conditions in Europe? With great difficulty.

24 Charles Foster Kane : I run a couple of newspapers. What do you do?

25 Charles Foster Kane : This gentleman was saying...
Boss Jim Gettys : I am not a gentleman. I don't even know what a gentleman is.

26 Charles Foster Kane : Don't believe everything you hear on the radio.

27 Bernstein : Old age. It's the only disease, Mr. Thompson, that you don't look forward to being cured of.

28 Thompson : He made an awful lot of money.
Bernstein : Well, it's no trick to make a lot of money... if what you want to do is make a lot of money.

29 Bernstein : A fellow will remember a lot of things you wouldn't think he'd remember. You take me. One day, back in 1896, I was crossing over to Jersey on the ferry, and as we pulled out, there was another ferry pulling in, and on it there was a girl waiting to get off. A white dress she had on. She was carrying a white parasol. I only saw her for one second. She didn't see me at all, but I'll bet a month hasn't gone by since that I haven't thought of that girl.

30 Emily : He happens to be the president, Charles, not you.
Charles Foster Kane : That's a mistake that will be corrected one of these days.

31 Thatcher : You're too old to be calling me Mr. Thatcher, Charles.
Charles Foster Kane : You're too old to be called anything else.

32 Charles Foster Kane : As Charles Foster Kane who owns eighty-two thousand, six hundred and thirty-four shares of public transit - you see, I do have a general idea of my holdings - I sympathize with you. Charles Foster Kane is a scoundrel. His paper should be run out of town. A committee should be formed to boycott him. You may, if you can form such a committee, put me down for a contribution of one thousand dollars.

33 Charles Foster Kane : Read the cable.
Bernstein : "Girls delightful in Cuba. Stop. Could send you prose poems about scenery, but don't feel right spending your money. Stop. There is no war in Cuba, signed Wheeler." Any answer?
Charles Foster Kane : Yes. "Dear Wheeler: you provide the prose poems. I'll provide the war."

34 Charles Foster Kane : Are we going to declare war on Spain, or are we not?
Jed Leland : The Inquirer already has.
Charles Foster Kane : You long-faced, overdressed anarchist.
Jed Leland : I am not overdressed.
Charles Foster Kane : You are too. Mr. Bernstein, look at his necktie.

35 Susan : Forty-nine thousand acres of nothing but scenery and statues. I'm lonesome.

36 Charles Foster Kane : I don't think there's one word that can describe a mans life.

37 Reporter 1 : What's that?
Reporter 2 : Another Venus.
Reporter 1 : Twenty-five thousand bucks. That's a lot of money to pay for a dame without a head.

38 Rawlson : It isn't enough to tell us what a man did. You've got to tell us who he was.

39 Charles Foster Kane : Don't worry about me Gettys. Don't worry about me. I'm Charles Foster Kane. I'm no cheap, crooked politician, trying to save himself from the consequences of his crimes.
[ Screams louder ]
Charles Foster Kane : Gettys. I'm going to send you to Sing Sing. Sing Sing Gettys. Sing Sing.

40 Bernstein : [ to Leland ] Mr. Kane is finishing the review you started - he's writing a bad notice. I guess that'll show you.

41 [ Susan is leaving Kane ]
Kane : [ pleading ] Don't go, Susan. You mustn't go. You can't do this to me.
Susan : I see. So it's YOU who this is being done to. It's not me at all. Not how I feel. Not what it means to me.
[ laughs ]
Susan : I can't do this to you?
[ odd smile ]
Susan : Oh, yes I can.

42 [ last lines ]
Raymond : Throw that junk in.

43 Reporter : [ at beginning of news reel on Charles Foster Kane's death ] In Xanadu did Kubla Khan a stately pleasure-dome decree.



CLOSER


COBRA


COLLATERAL


CON AIR



CON FALDAS Y A LO LOCO (1959)
Some Like It Hot


Joe E. Brown: "Hablé con mamá. Se puso tan contenta que hasta lloró. Quiere que lleves su vestido de novia. Es de encaje".
Jack Lemmon: "Eh, Osgood, no puedo casarme con el vestido de tu mamá. Ella y yo ...no tenemos el mismo tipo".
Joe E. Brown: "Podemos arreglarlo".
Jack Lemmon: "Oh, no hace falta. Osgood, he de ser sincera contigo. Tú y yo no podemos casarnos".
Joe E. Brown: "¿Por qué no?.
Jack Lemmon: "Pues primero porque no soy rubia natural".
Joe E. Brown: "No me importa".
Jack Lemmon: "Y fumo. ¡Fumo muchísimo!".
Joe E. Brown: "Me es igual".
Jack Lemmon: "¡Tengo un horrible pasado!. Desde hace tres años estoy viviendo con un saxofonista".
Joe E .Brown: "Te lo perdono".
Jack Lemmon: "Nunca podré tener hijos".
Joe E. Brown: "Los adoptaremos".
Jack Lemmon: "No me comprendes, Osgood. (Se quita la peluca). Soy un hombre".

Joe E. Brown: "Bueno, nadie es perfecto".

CONDENADO


CONSPIRACIÓN EN LA RED


CUANDO HARRY ENCONTRÓ A SALLY


CUANDO MENOS TE LO ESPERAS


DELITOS Y FALTAS


DESCUBRIENDO NUNCA JAMÁS


DESDE EL INFIERNO
DESENFOCADO
DÍAS DE RADIO
DÍAS DE VINO Y ROSAS
"Recoged las rosas mientras podáis, largos son los días de vino y rosas, de un nebuloso sueño, surge nuestro sendero. Y se pierde en otro sueño".
Lee Remick

DOBLE JUEGO


DOGMA


DON JUAN DE MARCO


DRÁCULA, DE BRAM STOKER



EL ALAMO


EL APARTAMENTO



EL ÁRBOL DEL AHORCADO


EL ATAQUE DE LOS CLONES


EL BAILE DE LOS MALDITOS


EL BOSQUE


EL BUENO, EL FEO Y EL MALO
"Il buono, il bruto, il cattivo", 1966
Pistolero: "El mundo se divide en dos, Tuco: los que encañonan y los que cavan. El revólver lo tengo yo, así que ya puedes coger la pala". Eli Wallach .... Tuco
EL CASTIGADOR


EL CAZADOR


EL CLUB DE LA LUCHA


EL CLUB DE LAS PRIMERAS ESPOSAS


EL CLUB DE LOS POETAS MUERTOS


EL CONFLICTO DE LOS MARX
Es usted la mujer más bella que he visto en mi vida... lo cual no dice mucho en su favor.

EL CREPÚSCULO DE LOS DIOSES
"No puedo continuar con la escena, ¡estoy tan contenta!... Sr. De Mille, ¿le importa que diga unas palabras?... Gracias. Sólo quiero decirles a todos cuanto me alegro de estar otra vez en el estudio rodando una película. No saben cuánto los he echado de menos. Y prometo no volver a abandonarles, porque después de 'Salomé' haremos otra película, y después otra. Esta es mi vida, siempre lo será... No hay nada más, sólo nosotros, las cámaras, y toda esa gente maravillosa en la oscuridad... Bien, Sr. De Mille, estoy preparada para mi primer plano...". Gloria Swanson
EL CRIMEN DEL PADRE AMARO


EL CUERVO


EL CHICO DE MI VIDA - Win a Date with Tad Hamilton


EL DEMONIO VESTIDO DE AZUL
- Devil in a Blue Dress (1995)
"Siempre que alguien me dice: "No te preocupes" lo primero que miro es si llevo la bragueta abierta... Denzel Washington .... Easy Rawlins
----
"Sigue, sigue... Has dado en el blanco.
Lisa Nicole Carson .... Coretta James
"Estuve dando en el blanco hasta el amanecer. Denzel Washington .... Easy Rawlins
----
"Cuando sales de casa por la mañana, ya te has metido en un lio
Denzel Washington .... Easy Rawlins
EL DESEO DEL CARIÑO
"No tenga tanta pisa. Los niños que comen deprisa a veces se quesan sin postre...
EL DIA DE LA BESTIA - "El Día de la Bestia" 1995
"¿Tú eres satánico, verdad?". Álex Angulo .... Padre Ángel Beriartúa, el cura
"Sí, ¡y de Carabanchel!". Santiago Segura .... José María

EL DIARIO DE ANA FRANK


EL DIARIO DE BRIDGET JONES


EL DIARIO DE NOAH


EL DILEMA - The Insider


EL DRAGÓN ROJO


EL EXORCISTA: EL COMIENZO
"Has visto lo que hace la puta de tu hija...."

EL FUEGO DE LA VENGANZA


EL FUGITIVO


EL GATOPARDO


EL GENIO DEL AMOR


EL GRAN COMBATE


EL GRAN DICTADOR
"Pensamos demasiado, sentimos muy poco" . Charles Chaplin (El gran dictador)

EL GRAN HALCÓN


EL HALCON MALTES
The Maltese Falcon, 1941
El detective (Ward Bond) sostiene la estatua del halcón maltés y pregunta:
"Esto pesa mucho, ¿de qué está hecho?". Ward Bond .... Det. Tom Polhaus
"De la misma materia de la que están hechos los sueños". Humphrey Bogart
... Sam Spade
EL HOMBRE DE ALCATRAZ


EL HOMBRE DE LA MÁSCARA DE HIERRO


EL HOMBRE QUE PUDO REINAR


EL HOMBRE SIN SOMBRA


EL HOTEL DE LOS LIOS
"- ¿Pagar la cuenta?... ¡Qué costumbre tan absurda!
" Disculpen si les llamo caballeros, pero es que no les conozco muy bien.
"- Nunca olvido una cara, pero con usted voy a hacer una excepción.

"El verdadero amor sólo se presenta una vez en la vida... Y luego ya no hay quien se lo quite de encima.
EL HUNDIMIENTO


EL IMPERIO CONTRAATACA
"No subestimes el poder del lado oscuro. El Imperio Contraataca


EL INDOMABLE WILL HUNTING


EL MEXICANO


EL ODIO
"No hay placer mas descansado que después de haber cagado.
EL PACIENTE INGLÉS
"Nuestros cuerpos son los países de este mundo y no las fronteras que aparecen en los mapas con los nombres de hombres poderosos". Kristin Scott Thomas
EL PACIFICADOR


EL PADRINO I
"Voy a hacerte un oferta que no podrás rechazar. El Padrino


EL PADRINO II


EL PADRINO III


EL PADRINO IV


EL PLANETA DE LOS SIMIOS


EL PRECIO DEL PODER


EL PRINCIPIANTE


EL PROFESOR CHIFLADO
"The Nutty Proffesor",1963
"Cuando uno es genial y lo sabe, como es mi caso, no hay que andarse con rodeos, nena. ¿A que estás loca por mí?" Jerry Lewis .... Professor Julius Kelp/Buddy Love/Baby Kelp
"Siempre he dicho que amarse a sí mismo es el comienzo de un amor que dura toda la vida. Estoy segura de que serás muy feliz contigo mismo". Stella Stevens .... Stella Purdy
-----
Professor Julius Kelp: Well, just don't do something, sit there!
Buddy Love: Hiya, chicky baby. How's it going?
Stella Purdy: Fine.
Buddy Love: Crazy. I thought I'd visit your little land of learning. Cute. Cute pad.
Stella Purdy: What happened to you last night? What'd you run away like that for? I thought you saw a ghost or something.
Buddy Love: Oh yeah. How 'bout that? Well, that's why I stopped by. I thought I'd lay it on ya, but this ain't the place to talk. What do you say we meet later at the Purple Pit? We can talk better there.
Stella Purdy: Well, I dunno. You're pretty weird, you know, and I don't want -
Buddy Love: Chi-chi. Ten o' clock?
Stella Purdy: Perfect.
Buddy Love: Figures.
-----
Buddy Love: I know what you're thinking: Where's he been all my life? Right?
Stella Purdy: No, not exactly.
Buddy Love: And that you're happy with the way I handled those three goons, right? Well, normally I would've belted them, but I didn't want to muss myself all up and have you dance with a sloppy guy. Dig?
Stella Purdy: Well then, you restrained yourself just for little old me.
Buddy Love: I knew you'd appreciate it. I do a lot of nice things.
Stella Purdy: Well, is that really the case or is this line 27-a for young college girls?
Buddy Love: Aww, you see? You went and done it. For one of the rare moments in my life when I dig deep into the soul, and you doubt my veracity.
Stella Purdy: Well, it's not your veracity that I doubt. The music stopped.
Buddy Love: Yeah, I heard.
-----
Buddy Love: They're all nice kids. All nice. All nice kids. They have very, very good taste, I might add.
Stella Purdy: I'm glad. It would be a shame to waste the genius of yours on the riff-raff.
Buddy Love: Well, honey, I always say, if you're good and you know it, why waste time beating around the bush, true?
Stella Purdy: And I always say that to love yourself is the beginning of a life-long romance. And after watching you, I know that you and you will be very happy together.
Buddy Love: Just a minute, sweetheart. I don't recall dismissing you.
Stella Purdy: You rude, discourteous egomaniac!
Buddy Love: You're crazy about me, right? And I can understand it. Only this morning, looking in the mirror before shaving, I enjoyed seeing what I saw so much I couldn't tear myself away. Have some, baby?
-----
Purple Pit Bartender: What'll it be?
Buddy Love: Aww... That's no way to talk. Tsk, tsk, tsk. "What'll it be?' That's no way to treat a customer. C'mere. Try it like this. Pay attention. You'll feel better and the customers'll be happier. Try this: "What'll it be? Hmmm?' Try that. Come on. We haven't got all night. Try it.
Purple Pit Bartender: What'll it be? Hmmm?
Buddy Love: Good! That was wonderful. Did anyone ever tell you you couldn't sing?
-----
Buddy Love: Have some, baby?
-----
Buddy Love: Here y'are, baby. Take this, wipe the lipstick off, slide over here next to me, and let's get started.
-----
Gym Attendant: Are you hurt?
Professor Julius Kelp: Well, if a man with an ulcer and a splinter in his finger and a nail in his foot was then struck by lightning, if you could say that man was not hurt then yes you could say I'm not hurt.
-----
Dr. Hamius R. Warfield: It's just human nature. People don't like teachers blowing up their kids

EL QUINTO ELEMENTO
"Los humanos sois muy extraños, todo lo que creáis lo usáis para destruir". Milla Jovovich
EL RESPLANDOR


EL RETORNO DEL JEDI


EL SARGENTO DE HIERRO


EL SECDLETO DE LA TDLOMPETA (1995)
"Hace muchos, muchos años este hombre participó en un acontecimiento que JAMÁS ha vuelto a repetirse... Ramón Langa .... Narrador (voice)
EL SEÑOR DE LOS ANILLOS: EL RETORNO DEL REY


EL SEÑOR DE LOS ANILLOS: LA COMUNIDAD DEL ANILLO


EL SEÑOR DE LOS ANILLOS: LAS DOS TORRES


EL SEXTO SENTIDO


EL SHOW DE TRUMAN


EL SILENCIO DE LOS CORDEROS
Cuando sale Annibal en la pantalla y todo el fondo blanco, y pregunta " y dime ¿siguen chillando los corderos?..."

EL SUEÑO ETERNO
The Big Sleep, 1946), dirigida por Howard Hawks.
Humphrey Bogart: "General, tenga cuidado con su hija. Ha intentado sentarse sobre mis rodillas cuando yo estaba de pie".


EL TESORO DE SIERRA MADRE


EL ÚLTIMO BOYSCOUT


EL ÚLTIMO GOLPE


EL ÚLTIMO TREN DE GUN HILL
Kirk Douglas: "Busco a Rick Belden.¿Le conoces?".
Cantinero: "No. Tal vez se ha equivocado usted de ciudad".
Kirk Douglas: "No me he equivocado de ciudad, sino de informador".
Cantinero: "Aquí todos somos iguales, sheriff".
Kirk Douglas: "En este caso será un alivio suprimir a unos cuantos".
Cantinero: "Yo no le diría a usted dónde está Rick Belden ni aunque estuviera a su espalda".
Kirk Douglas: "Ya veo que Belden tiene buenos amigos aquí".
Cantinero: "Los tiene".
Kirk Douglas: "¿Y ningún enemigo?".
Cantinero: "Sí, muchos".
Kirk Douglas: "¿Dónde están?".
Cantinero: "A las afueras del pueblo, en el cementerio".

EL VALLE DE LA VIOLENCIA

ENTREVISTA CON EL VAMPIRO

ESCUELA DE ROCK

ESENCIA DE MUJER

ESPLENDOR EN LA HIERBA

EVELYN
Sabes lo que es peor que "beber para olvidar..."
NO...
Pues, "olvidarte de beber...
"
EXCALIBUR

FEMME FATALE

FORAJIDOS
"The Killers, 1946
Gánster 1: "¿Conoce usted a un tipo que llaman 'El Sueco'?"
Camarero: "No".
Gánster 2: "¿Qué ha dicho?".
Gánster 1: "Ha dicho que no".
Gánster 2: "Es un orador".

--------------------------
Doctor: He's dead now, except for he's breathing.
Jim Reardon: How much time has he got.
Lieutenant Sam Lubinsky: He's behind schedule now.
Jim Reardon: She took a powder. The dough went with her.
Reardon: Good morning, Stella.
Stella: Good morning, dream boy.
Kitty Collins: I'm poison, Swede, to myself and everybody around me.
Lt. Sam Lubinsky: Don't ask a dying man to lie his soul into Hell.
[last lines]
[after Reardon has wrapped up the investigation, Kenyon congratulates him]
R.S. Kenyon: Owing to your splendid efforts the basic rate of The Atlantic Casualty Company - as of 1947 - will probably drop one-tenth of a cent.
[he shakes Reardon's hand]
R.S. Kenyon: Congratulations, Mr. Reardon.
Jim Reardon: I'd rather have a night's sleep.
R.S. Kenyon: Why don't you take a good rest. I must say you've earned it.
[Reardon starts to leave]
R.S. Kenyon: This is Friday... don't come in 'til Monday.
Jim Reardon: Thanks.

FORREST GUMP

FUEGO EN EL CUERPO - B
ody Heat, 1981
"No deberías llevar esa ropa. William Hurt .... Ned Racine
"¿Por qué?. Solo es una blusa y una falda". Kathleen Turner .... Matty Walker/Mary Ann Russell
"Entonces no deberías llevar ese cuerpo". William Hurt .... Ned Racine
GANGS OF NEW YORK

GATTACA

GHOST

GHOST DOG

GILDA

GLADIATOR

GRANDES ESPERANZAS

GUERRA Y PAZ

Hannah y sus hermanas
- Hannah and Her Sisters; 1986, dirigida por Woody Allen.

Woody Allen: "Mi tío Phil cayó muerto de repente jugando al squash...El médico se lo había recomendado para la salud".

HANNIBAL


HARRY EL FUERTE


HARRY EL SUCIO


HARRY POTTER Y EL PRISIONERO DE AZKABAN


HARRY POTTER Y LA PIEDRA FILOSOFAL


HELLBOY


HISTORIA DE LO NUESTRO


HISTORIAS DE FILADELFIA


HITCH: ESPECIALISTA EN LIGUES


It Happened One Night (1934) - When Ellie Andrews, a millionaire's daughter, marries a man her father dislikes, the resulting family squabble sends the beautiful heiress into hiding. She travels across country by bus, a fugitive from high society. En route, she meets the man of her dreams: a sexy but brusque news correspondent who has just lost his job -- which unknown to Ellie, he hopes to recover by selling her story to his former boss. Together, Peter and Ellie have a series of hapless adventures and comic misunderstandings, leading them to the realization that they were made for each other.

Ellie : Your ego is absolutely colossal.
Peter Warne : Yeah, yeah, not bad, how's yours?
[ Shuts and locks the door ]
Ellie : You know, compared to you, my friend Shapeley is an amateur. Just whatever gave you any idea I'd stand for this?
Peter Warne : Hey now, wait a minute. Let's get this straightened out right now. If you're nursing any silly notion that I'm interested in you, forget it. You're just a headline to me.
Ellie : A headline? You're not a newspaper man are you?
Peter Warne : Chalk up one for your side.
Alexander Andrews : Oh, er, do you mind if I ask you a question, frankly? Do you love my daughter?
Peter Warne : Any guy that'd fall in love with your daughter ought to have his head examined.
Alexander Andrews : Now that's an evasion!
Peter Warne : She picked herself a perfect running mate - King Westley - the pill of the century! What she needs is a guy that'd take a sock at her once a day, whether it's coming to her or not. If you had half the brains you're supposed to have, you'd done it yourself, long ago.
Alexander Andrews : Do you love her?
Peter Warne : A normal human being couldn't live under the same roof with her without going nutty! She's my idea of nothing!
Alexander Andrews : I asked you a simple question! Do you love her?
Peter Warne : YES! But don't hold that against me, I'm a little screwy myself!
Oscar Shapeley : You know, there's nothing I like better than to meet a high-class mama that can snap back at you, 'cause the colder they are, the hotter they get! That's what I always say, yes sir! When a cold mama gets hot, boy, how she sizzles!
[ after Ellen stops a car by showing her leg ]
Peter Warne : Why didn't you take off all your clothes? You could have stopped forty cars.
Ellie : Well, ooo, I'll remember that when we need forty cars.
Peter Warne : I never did like the idea of sitting on newspaper. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants.
Ellie : By the way, what's your name?
Peter Warne : What's that?
Ellie : Who are you?
Peter Warne : Who me? (smiling) I'm the whippoorwill that cries in the night. I'm the soft morning breeze that caresses your lovely face.
Ellie : You've got a name, haven't you?
Peter Warne : Yeah, I got a name. Peter Warne.
Ellie : Peter Warne. I don't like it.
Peter Warne : Don't let it bother you. You're giving it back to me in the morning.
Ellie : Pleased to meet you, Mr. Warne.
Peter Warne : The pleasure is all mine, Mrs. Warne.
Peter Warne : Excuse me lady, but that upon which you sit is mine.
Ellie : I beg your pardon?
Alexander Andrews : Don't fall out of any windows!
Ellie : I'll stop that car, and I won't use my thumb!
Ellie : Well, I proved once and for all that the limb is mightier than the thumb.
Alexander Andrews : What's the matter, child? Aren't you happy?
[ Ellie clutches her father, sobbing ]
Alexander Andrews : I thought so. I knew there was something on your mind. There, there, there now. What's the matter? You haven't fallen in love with someone else, have you? Have you?
[ Ellie continues crying ]
Alexander Andrews : I haven't seen you cry since you were a baby. This must be serious. Where did you meet him?
Ellie : On the road.
Alexander Andrews : Now, don't tell me you've fallen in love with a bus driver.
Alexander Andrews : [ Alexander has figured out Ellie is in love with another man ] Who is he?
Ellie : I don't know very much about him, except that I love him.
Alexander Andrews : Well, if it's as serious as all that, we'll move Heaven and Earth to -
Ellie : No, it's no use! He despises me.
Alexander Andrews : Oh, come now.
Ellie : Yes, he does! He despises everything about me. He says that I'm spoiled and selfish, and pampered, and thoroughly insincere.
Alexander Andrews : Oh, ridiculous!
Ellie : He doesn't think so much of you, either.
Alexander Andrews : Well, I...
Ellie : He blames you for everything that's wrong with me. He says you raised me stupidly.
Alexander Andrews : [ sarcastically ] Now, that's a fine man to fall in love with.
Ellie : Oh, he's marvelous!
Peter Warne : [ Detectives are looking for Ellie ] What do you mean, coming in here? What do you want, anyway?
Detective : We're looking for somebody.
Peter Warne : Yeah, well look your head off, but don't come busting in here. This isn't a public park. I could near as take a sock at you!
Detective : Take it easy, son, take it easy.
Mr. Dykes : These men are detectives, Mr. Warne.
Peter Warne : I don't care if they're the whole police department. They can't come busting in here, shooting questions at my wife.
Ellie : Now, don't get so excited, Peter. The man just asked a civil question.
Peter Warne : Oh, is that so? Say, how many times have I told you to stop butting in when I'm having an argument?
Ellie : Well, you don't have to lose your temper!
Peter Warne : [ mockingly ] "You don't have to lose your temper." That's what you said the other time, too. Every time I try to protect you. The other night, at the Elks Dance, when that big Swede made a pass at you!
Ellie : He didn't make a pass at me! I told you a million times!
Peter Warne : Oh, no? I saw him. He kept pawing you all over the dance floor!
Ellie : [ the detectives stand there, flustered ] He didn't! You were drunk!
Peter Warne : Aw, nuts! You're just like your old man! Once a plumber's daughter, always a plumbers daughter! There isn't an ounce of brains in your whole family!
Ellie : [ sobbing ] Oh, Peter Warne, you've gone far enough! I won't stand for it anymore!
Peter Warne : Aw, shut up!
Mr. Dykes : Now, you see what you've done?
Detective : Sorry, Mr. Warne. But, you see we've got to check up on everybody.
Detective : We're looking for a girl by the name of Ellen Andrews, you know, the daughter of that big Wall Street mug.
Peter Warne : Yeah? Well, it's too bad you aren't looking for a plumber's daughter
[ to Ellie ]
Peter Warne : QUIT BAWLING! QUIT BAWLING!
[ Ellie sobs even louder ]
Mr. Dykes : I told you they were a perfectly nice married couple.
[ Mr. Dykes and the detectives leave, and Peter and Ellie start laughing ]
1 Ellie : Your ego is absolutely colossal.
Peter Warne : Yeah, yeah, not bad, how's yours?
[ Shuts and locks the door ]
Ellie : You know, compared to you, my friend Shapeley is an amateur. Just whatever gave you any idea I'd stand for this?
Peter Warne : Hey now, wait a minute. Let's get this straightened out right now. If you're nursing any silly notion that I'm interested in you, forget it. You're just a headline to me.
Ellie : A headline? You're not a newspaper man are you?
Peter Warne : Chalk up one for your side.

2 Alexander Andrews : Oh, er, do you mind if I ask you a question, frankly? Do you love my daughter?
Peter Warne : Any guy that'd fall in love with your daughter ought to have his head examined.
Alexander Andrews : Now that's an evasion!
Peter Warne : She picked herself a perfect running mate - King Westley - the pill of the century! What she needs is a guy that'd take a sock at her once a day, whether it's coming to her or not. If you had half the brains you're supposed to have, you'd done it yourself, long ago.
Alexander Andrews : Do you love her?
Peter Warne : A normal human being couldn't live under the same roof with her without going nutty! She's my idea of nothing!
Alexander Andrews : I asked you a simple question! Do you love her?
Peter Warne : YES! But don't hold that against me, I'm a little screwy myself!

3 Oscar Shapeley : You know, there's nothing I like better than to meet a high-class mama that can snap back at you, 'cause the colder they are, the hotter they get! That's what I always say, yes sir! When a cold mama gets hot, boy, how she sizzles!

4 [ after Ellen stops a car by showing her leg ]
Peter Warne : Why didn't you take off all your clothes? You could have stopped forty cars.
Ellie : Well, ooo, I'll remember that when we need forty cars.

5 Peter Warne : I never did like the idea of sitting on newspaper. I did it once, and all the headlines came off on my white pants. On the level! It actually happened. Nobody bought a paper that day. They just followed me around over town and read the news on the seat of my pants.

6 Ellie : By the way, what's your name?
Peter Warne : What's that?
Ellie : Who are you?
Peter Warne : Who me? (smiling) I'm the whippoorwill that cries in the night. I'm the soft morning breeze that caresses your lovely face.
Ellie : You've got a name, haven't you?
Peter Warne : Yeah, I got a name. Peter Warne.
Ellie : Peter Warne. I don't like it.
Peter Warne : Don't let it bother you. You're giving it back to me in the morning.
Ellie : Pleased to meet you, Mr. Warne.
Peter Warne : The pleasure is all mine, Mrs. Warne.

7 Peter Warne : Excuse me lady, but that upon which you sit is mine.
Ellie : I beg your pardon?

8 Alexander Andrews : Don't fall out of any windows!

9 Ellie : I'll stop that car, and I won't use my thumb!

10 Ellie : Well, I proved once and for all that the limb is mightier than the thumb.

ITALIAN JOB
"Confío en todos los hombres, pero desconfío del demonio que llevan dentro". Charlize Theron
JAY Y BOB EL SILENCIOSO CONTRAATACAN


JERRY MAGUIRE


JFK



JUNGLA DE CRISTAL

JUNGLA DE CRISTAL 2: ALERTA ROJA

JUNGLA DE CRISTAL III: LA VENGANZA

JUNTOS HASTA LA MUERTE

 

 


KILL BILL, VOL 1
" Those of you lucky enough to have your lives, take them with you. However, leave the limbs you've lost. They belong to me now. EXCEPT YOU, SOFIE! You stay right where you are! Uma Thurman .... The Bride
-----
The Bride: It was not my intention to do this in front of you. For that I'm sorry. But you can take my word for it, your mother had it comin'. When you grow up, if you still feel raw about it, I'll be waiting.
-----
How did you find me? Uma Thurman .... The Bride
[off screen] I'm the man.
David Carradine .... Bill
-----
[first lines]
Bill: Do you find me sadistic? You know, I bet I could fry an egg on your head right now, if I wanted to. You know, Kiddo, I'd like to believe that you're aware enough even now to know that there's nothing sadistic in my actions. Well, maybe towards those other... jokers, but not you. No Kiddo, at this moment, this is me at my most...
[cocks pistol]
Bill: masochistic.
The Bride: Bill... it's your baby...
[BLAM!]
The Bride: [her first words upon waking from the coma] My baby! My baby!
-----
Copperhead: So I suppose it's a little late for an apology, huh?
The Bride: You suppose correctly.
Copperhead: You have every right to want to get even.
The Bride: No. No. To get even? Even-Steven? I would have to kill you, go up to Nikki's room, kill her, then wait for your husband, the good Doctor Bell, to come home and kill him. That would be even, Verntia. That'd be about square.
-----
The Bride: Go-Go, I know you feel you must protect your mistress. But I beg you, walk away now.
[Go-Go giggles girlishly]
Go Go Yubari: You call that begging? You can beg better than that.
-----
Hattori Hanzo: I'm done doing what I swore an oath to God 28 years ago to never do again. I've created, "something that kills people." And in that purpose I was a success. I've done this, because philosophically I'm sympathetic to your aim. I can tell you with no ego, this is my finest sword. If on your journey, you should encounter God, God will be cut.
-----
[first title card]
Title Card: "Revenge is a dish best served cold" - Old Klingon proverb.
-----
Hattori Hanzo: What brings you to Okinawa?
The Bride: I'm here to see a man.
Hattori Hanzo: Oh yeah? You have a friend living in Okinawa?
The Bride: Not quite.
Hattori Hanzo: Not a friend?
The Bride: I've never met him.
Hattori Hanzo: Never? Who is he, may I ask?
The Bride: Hattori Hanzo.
Hattori Hanzo: [Serious, switches to Japanese] What do you want with Hattori Hanzo?
The Bride: [Japanese] I need Japanese steel.
Hattori Hanzo: [Japanese] Why do you need Japanese steel?
The Bride: [Japanese] I have vermin to kill.
Hattori Hanzo: [English] You must have big rats if you need Hattori Hanzo's steel.
The Bride: [English] ... Huge.
-----
O-Ren Ishii: You didn't think it was gonna be that easy, did you?
The Bride: You know, for a second there, yeah, I kinda did.
O-Ren Ishii: Silly rabbit.
The Bride: Trix are for...
O-Ren Ishii, The Bride: ...kids.
-----
O-Ren Ishii: Silly Caucasian girl likes to play with Samurai swords.
-----
Budd: That woman deserves her revenge and we deserve to die.
-----
[after Bill tells her not to kill The Bride]
Elle Driver: Thought that was pretty fuckin' funny didn't you? Word of advice, shithead - don't you ever wake up.
-----
O-Ren Ishii: As your leader, I encourage you from time to time, and always in a respectful manner, to question my logic. If you're unconvinced that a particular plan of action I've decided is the wisest, tell me so, but allow me to convince you and I promise you right here and now, no subject will ever be taboo. Except, of course, the subject that was just under discussion. The price you pay for bringing up either my Chinese or American heritage as a negative is... I collect your fucking head. Just like this fucker here. Now, if any of you sons of bitches got anything else to say, now's the fucking time!
[pause]
O-Ren Ishii: I didn't think so.
-----
The Bride: As I said before, I've allowed you to keep your wicked life for two reasons. And the second reason is so you can tell him in person everything that happened here tonight. I want him to witness the extent of my mercy by witnessing your deformed body. I want you to tell him all the information you just told me. I want him to know what I know. I want him to know I want him to know. And I want them all to know they'll all soon be as dead as O-Ren.
-----
Copperhead: So when do we do this?
The Bride: It all depends on when do you want to die? Tomorrow? The day after tomorrow?
Copperhead: How about tonight, bitch?
The Bride: Splendid, where?

KILL BILL, VOL 2
"Para los ancianos el mejor asesino es la jubilación"

"Wakey wakey, eggs and bakey. Michael Madsen .... Budd
-----
" [dying] How do I look?
David Carradine .... Bill
"You look ready.
Uma Thurman .... The Bride
-----
"She must suffer to her last breath. Daryl Hannah .... Elle Driver
-----
Elle Driver: Bill.
Budd: Wrong brother, you hateful bitch.
Elle Driver: Budd.
Budd: Bingo!
Elle Driver: And to what do I owe this dubious pleasure?
Budd: I just caught me a cowgirl that ain't never been caught.
Elle Driver: Did you kill her?
Budd: Well, not yet I ain't. I shot her full of rock salt. She's so gentle right now, I could perform a coup-de-grace with a rock. Anywho. Guess what I'm holding in my hand right now.
Elle Driver: What?
Budd: Brand spankin' new Hattori Hanzo sword. Let me tell you Elle, that's what I call sharp.
Elle Driver: How much?
Budd: Well, that's hard to say, being that it's priceless and all.
Elle Driver: What's the terms?
Budd: Get your bony ass down here in the morning, with a million dollars in cash, and I give you the greatest sword ever made by man. How do you like the sound of that?
Elle Driver: Sounds like we got a deal, one condition.
Budd: What?
Elle Driver: She must suffer to her last breath.
Budd: Well, that little darlin', I can pretty much damn well guarantee.
Elle Driver: Then I'll see you in the morning... millionaire.
-----
[after getting covered with tobacco juice during her fight with the Bride]
Elle Driver: Gross.
-----
[Esteban, an 80-year-old pimp, appraises The Bride]
" If I had met you forty years ago, you would have been my Number One lady. Michael Parks .... Esteban Vihaio
" Well, I'm flattered. Uma Thurman .... The Bride
"You goddamn better well be. Michael Parks .... Esteban Vihaio
-----
Bill: Pai Mei taught you the five point palm-exploding heart technique?
The Bride: Of course he did.
Bill: Why didn't you tell me?
The Bride: I don't know... because I'm a bad person.
Bill: No. You're not a bad person. You're a terrific person. You're my favorite person, but every once in a while, you can be a real cunt.
-----
The Bride: How did you find me?
Bill: I'm the man.

KING KONG 1


LA AMENAZA FANTASMA


LA CAZA DEL OCTUBRE ROJO
"Lo bueno de echarse un farol es saber cuándo hay que dejarlo". Sean Connery
LA COSTA DE LOS MOSQUITOS


LA CHAQUETA METÁLICA


LA DELGADA LÍNEA ROJA
"Me siento solo cuando hay gente". Sean Penn
LA EXTRAÑA PAREJA


LA FIERA DE MI NIÑA


LA GRAN PRUEBA


LA GRAN VIDA


LA GUERRA DE LAS GALAXIAS


LA LEY DEL SILENCIO


LA LEYENDA DE LA CIUDAD SIN NOMBRE


LA LISTA DE SCHINDLER


LA MALDICIÓN DEL ESCORPIÓN DE JADE


LA MISIÓN


LA PÍCARA PURITANA


LA PRINCESA PROMETIDA


"Aquel día fue en el que descubrió con asombro que cuando él decía 'como desees', en realidad significaba 'te amo'". Peter Falk
LA PRUEBA
LA REINA DE ÁFRICA
"Querido, ¿cuál es tu nombre?". Katharine Hepburn


LA ROCA
"Hoy en día como esta el mundo, quien se pensase en traer al mundo un hijo sería una crueldad". Nicolas Cage
LA TENTACION VIVE ARRIBA -
The Seven Year Itch, 1955
"Marilyn Monroe: "Es fantástico!. ¡Un hombre casado, aire acondicionado, champañ y patatas fritas!. ¡Una fiesta maravillosa!".

LA ÚLTIMA NOCHE DE BORIS GRUSHENKO Love and Death (1975)
"Dame un beso.
"¿Cuál quieres?.
"El número ocho

----
"Si Dios me hiciera una señal, como abrirme una buena cuenta en un banco suizo.


LA VECINA DE AL LADO


LA VENGANZA DE LOS SITH


LA VIDA DE DAVID GALE



LA VIDA ES BELLA

LÁGRIMAS DEL SOL

LAS AVENTURAS DE FORD FAIRLANE



LAS HORAS


LAS TRES NOCHES DE EVA


LAURA
"¡Waldo, no vuelvas a insinuar que tengo algo que ver con el asesinato de Laura".Vincent Price
"De acuerdo, Shelby, no volveré a insinuarlo: tú has asesinado a Laura". Clifton Webb

LAWRENCE DE ARABIA



LEAVING LAS VEGAS


LEÓN: EL PROFESIONAL


LO QUE EL VIENTO SE LLEVÓ (1939) Going with the Wind
"Hubo una vez un país de caballeros y campos de algodón llamado el Viejo Sur .... Aquí en este bello mundo, la galantería hizo su última reverencia. Aquí se vio por última vez a los caballeros y y a sus damas; al amo y al esclavo ... Sólo está ya en los libros, porque no es más que un recordado, una Civilización que el viento se llevó".
Margaret Mitchell (novelista-guión)
" Aquí está este soldado del Sur que te ama, Scarlett. Que quiere sentir tus brazos alrededor suyo, que quiere llevarse el recuerdo de tus besos a la batalla con él. No te preocupes por amarme. Eres una mujer que envía un soldado a la muerte con un hermoso recuerdo. Scarlett, bésame. Bésame, una vez". Clark Gable .... Rhett Butler
"Rhett, si tú te vas, ¿qué será de mí?. ¿Qué haré sin tí?. Vivien Leigh .... Scarlett O'Hara
"Francamente, querida, me importa un bledo". Clark Gable .... Rhett Butler
"¡'Tara'!,... mi hogar. He de volver a mi hogar. Ya encontraré alguna forma de hacerle volver. Después de todo, mañana será otro día". Vivien Leigh .... Scarlett O'Hara

"A Dios pongo por testigo que no podrán derribarme. Sobreviviré, y cuando todo haya pasado, nunca volveré a pasar hambre, ni yo ni ninguno de los míos. Aunque tenga que mentir, robar, mendigar o matar, ¡a Dios pongo por testigo que jamás volveré a pasar hambre!" Vivien Leigh .... Scarlett O'Hara
LOS ANGELES DEL INFIERNO


LOS LUNES AL SOL


LOS PUENTES DE MADISON


LOST IN TRANSLATION


MANHATTAN


MAR ADENTRO


MARIDOS Y MUJERES


MAS ALLA DE LOS SUEÑOS 1998 What Dreams May Come
"—Tú me enseñaste aquello que no debía olvidar nunca.
"—¿Y qué era?
"—Lo he olvidado.

"He dicho: "Ciao, Bella". Nunca lo olvidaré. Al menos llegué a decirlo

"Mi hija solía decir: "Eh, que más da. Además, ni siquiera estabas mirando."

"Me estoy enseñando a fumar. El psiquiatra dice que es como una reafirmación de la vida.

"Esto es bastante grande como para tener todos su propio universo privado

"-- Necesito a Annie. Robin Williams .... Chris Nielsen
-- Eso cambiará a tiempo. Cuba Gooding Jr. .... Albert Lewis
-- ¡Oh, venga Einstein! En mi reloj ya no hay tiempo. El tiempo no existe aquí. Y dondequiera que se fue, no va a hacerme necesitar a Annie.
Robin Williams .... Chris Nielsen

"-- Una vida humana entera es simplemente un latido del corazón aquí en el Cielo. Estaremos todos juntos para siempre. Robin Williams .... Chris Nielsen

"Alberto: ¿Así que qué es el "yo?"
Chris Nielsen: Supongo que mi cerebro...
Alberto: ¿Su cerebro? Su cerebro es una parte del cuerpo. Como su uña o su corazón. ¿Por qué ésa es la parte que usted es?
Chris Nielsen: Porque yo tengo una voz en mi cabeza, la parte de mí que eso piensa, que eso siente, eso es consciente que yo existo en absoluto.
Alberto: Así si usted es consciente que usted existe, entonces usted "es". Por eso usted todavía está aquí.

"-- Annie Nielsen: A veces, cuando usted pierde, usted gana.

"-- ¿Ése es un tipo de riesgo profesional de compañeros del alma? ¿Uno no es mucho sin el otro? Robin Williams .... Chris Nielsen

"-- ¿Dónde está Dios en todo esto? Robin Williams .... Chris Nielsen
-- Oh, Él está a allí. En alguna parte de abajo... gritando que Él nos ama. Preguntándose porqué nosotros no podemos oírlo. Cuba Gooding Jr. .... Albert Lewis

"-- ¿Usted estaba esperando el peligro físico? ¿Qué podría hacer ya de muerte, el huh? No, en el Infierno hay peligro real de perder a su mente. Max von Sydow .... The Tracker

"Chris Nielsen: Lo que es verdad en nuestra mente es verdad.

MAS PERROS QUE HUESOS
"-- "En este país están todos locos"

"--"Oye monada, 50 dólares por una mamada..."
--"Dudo que tengas 50 dólares... Joe Mantegna .... De Salvo
MÁS RÁPIDO QUE EL VIENTO


MASTER & COMMANDER


MATRIX
""Hice lo que hice porque tenía que hacerlo.
MATRIX REVOLUTIONS


ME SIENTO REJUVENECER


MEDIANOCHE


MEJOR... IMPOSIBLE


MEMENTO


MISTERIOSO ASESINATO EN MANHATTAN


MOULIN ROUGE


MYSTIC RIVER


NÁUFRAGO


NINOTCHKA


NIXON


NO SOS VOS, SOY YO


NO SOY NINGÚN ÁNGEL


NOTTING HILL


NOVIA A LA FUGA


O BROTHER!


PACTAR CON EL DIABLO (1997) The Devil´s Advocate
"Te dire algo sobre Dios: es el peor casero del mundo". Al Pacino .... John Milton
PAJARICO (1997)
"¡Qué bien se está cuando se está bien!". Francisco Rabal .... El Abuelo
PARÍS-TOMBUCTÚ (1999) Paris-Timbuktu
"En mi iglesia no entra ni Dios!". Santiago Segura
.... El Cura
PARQUE JURÁSICO (1993) Jurassic Park
"Les preocupaba tanto si podían o no conseguirlo que no se pararon a pensar si debían".
Jeff Goldblum .... Dr. Ian Malcolm
PAT GARRET Y BILLY "EL NIÑO"
"No me sorprendería, Pat, que Billy te volara la cabeza de un tiro: siempre has sido un padre para él". Chill Wills

PATCH ADAMS (1998)
"Eres más peludo que el último compañero de celda..."
"Si, me mantiene calentito..."
Robin Williams .... Hunter 'Patch' Adams
"La risa es contagiosa". Robin Williams .... Hunter 'Patch' Adams
"Un estudiante de medicina en los años 70' trataba a los pacientes, ilegalmente, usando el humor".
PIRATAS DEL CARIBE: LA MALDICION DE LA PERLA NEGRA (2003) Pirates of the Caribbean: The Curse of the Black Pearl
"Si buscabas el momento oportuno... era ese". Johnny Depp .... Jack Sparrow
"No soy honesto. Y de un hombre que no es honesto, sólo se puede esperar que no sea honesto. Honestamnte, es con los honestos con los que hay que tener cuidado, por que nunca puedes preveer cuando harán algo extraordinariamente absurdo". Johnny Depp .... Jack Sparrow
"Arrasa con lo que veas y generoso no seas". Johnny Depp .... Jack Sparrow
"Necesitas encontrar a una buena chica, o puede que la razón por la que practicas tres horas al día sea porque ya has encontrado a una y eres incapaz de cortejar a dicha fulana, ¿no serás un eunuco?". Johnny Depp .... Jack Sparrow
"Si no dejan a nadie con vida, ¿quién demonios cuenta estas historias?". Johnny Depp .... Jack Sparrow
"Elisabeth está bien tal y como prometí, se casará con Norrington tal y como ha prometido y tú morirás por ella tal y como prometiste. Todos somos hombres de palabra, salvo Elisabeth que de hecho es mujer". Johnny Depp .... Jack Sparrow
"Mirad: La luz de la luna nos muestra tal y como somos en realidad, no pertenecemos al reino de los vivos por lo que no podemos morir pero tampoco estamos muertos. Hace mucho que no puedo sofocar mi sed cuando estoy sediento, hace mucho que muero de hambre y no muero... no siento nada. Ni el viento en la cara ni la espuma del mar. Tampoco el calor de la carne de una mujer. Ya podéis creer en historias de fantasmas señorita Turner... ¡Estáis viviendo una!". Geoffrey Rush .... Barbossa
"Vamos allá donde queremos, en eso consiste una embarcación, ya lo sabeis....pero una nave no es solo una quilla, un casco, una cubierta y unas velas; lo que es una nave, lo que La Perla Negra representa, es la libertad". Johnny Depp .... Jack Sparrow
"No todos los tesoros son oro y joyas, camarada". Johnny Depp .... Jack Sparrow

PLUMAS DE CABALLO 1932

"El dinero no lo es todo, pero es mejor que la salud. A fin de cuentas, no se puede ir a la carnicería y decirle al carnicero: -Mira que moreno estoy, y además no me resfrío nunca; y suponer que va a regalarte su mercancía (A menos que el carnicero sea un idiota).

POR QUIÉN DOBLAN LAS CAMPANAS? (1943) For Whom the Bells Tolls
"¿De que sirve el valor si no se tiene cabeza?". Katina Paxinou .... Pilar
"La muerte de cualquier hombre me hace sentir más pequeña, porque tengo un compromiso con la humanidad. Por eso, nunca trates de averiguar por quien doblan las campanas, están doblando por tí". Gary Cooper .... Robert Jordan
PRIMERA PLANA
"The Front Page, 1974
"Cásese con un enterrador o con un verdugo; con quien sea, menos con un periodista". Walter Matthau .... Walter Burns/Otto Fishbine
"Pero Hildy va a dejar el periodismo". Susan Sarandon .... Peggy Grant
"No se pueden quitar las manchas a un leopardo ni enganchar un caballo de carreras a un carro de basura". Walter Matthau .... Walter Burns/Otto Fishbine
PULP FICTION (1994)
"Estoy a veinte minutos de allí. Llegaré en diez". Havey Keitel .... Winston 'The Wolf' Wolfe
--------------------------------------------------------------------------------
"Hamburguesas: la piedra angular de un desayuno nutritivo". Samuel L. Jackson .... Jules Winnfield
--------------------------------------------------------------------------------
"De Ezequiel, 25-17: El camino del hombre recto está por todos lados rodeado por la avaricia de los egoístas y la tiranía de los hombres malos. Bendito sea aquel pastor que, en nombre de la caridad y de la buena voluntad, saque a los débiles del Valle de la Oscuridad. Porque Él es el verdadero guardián de su hermano y el descubridor de los niños perdidos. ¡Y os aseguro que vendré a castigar con gran venganza y furiosa cólera a aquéllos que pretendan envenenar y destruir a mis hermanos! ¡¡¡Y TÚ SABRÁS QUE MI NOMBRE ES YAVÉ, CUANDO MI VENGANZA CAIGA SOBRE TI!!! ". Samuel L. Jackson .... Jules Winnfield
--------------------------------------------------------------------------------
"Mi nombre es "Lobo", soluciono problemas".
Havey Keitel .... Winston 'The Wolf' Wolfe
"Con tu permiso me voy a casa, a tener un ataque al corazón". John Travolta .... Vincent Vega
"Que seas una personalidad no significa que tengas personalidad".
Havey Keitel .... Winston 'The Wolf' Wolfe
"No los odias?, esos silencios incómodos. ¿Por qué necesitamos decir algo para rellenarlos?. Es por eso que sabes que has encontrado a alguien especial. Puedes estar callado durante un puto minuto y disfrutar del silencio". Uma Thurman
.... Mia Wallace
QUÉ BELLO ES VIVIR! (1946) It´s a wonderful life
"Nadie es un fracaso si tiene amigos". James Stewart
QUE OCURRIO ENTRE TU PADRE Y MI MADRE ? -
Avanti!, 1972
Jack Lemon: "¿Tres horas para almorzar?" -
Clive Revill: "Sr. Ambruster... aquí no nos vamos corriendo a la cafetería a comernos un bocadillo con un refresco, aquí vamos piano, piano. Cocinamos nuestras pastas, luegos les echamos queso, bebemos vino y amamos" .
Jack Lemon: "¿Entonces qué hacen por las noches?".
Clive Revill: "Volvemos a casa a ver a nuestras esposas."

Clive Revill: "Debe de estar cansado. Ha hecho un viaje muy largo, mientras esté aquí quizá quiera tomar un baño de lodo." Jack Lemon: "No, gracias, ya lo tomé en el tren".
Clive Revill: "¿En el tren?" .
Jack Lemon: "Me lo bebí, lo llaman café expresso".

Edward Andrews : "¿Baños de lodo?".
Clive Revill: "Famosos en el mundo entero, curan el reumatismo, la artritis, neuritis, flebitis, dolencias urinarias, hiperacidez... impotencia."
Edward Andrews: "¿De veras? vaya... quizá me fueran bien para mi...eeh... 'acidez'."
Clive Revill: "No tema, después de los baños tendrá usted la 'acidez' de un chico de 20 años."

QUE TAL PUSSYCAT ? What's New Pussycat?, 1965
"¡Dime quién es!". Eddra Gale .... Anna Fassbender (as Edra Gale)
"¡Ana, te he dicho mil veces que no me molestes mientras trabajo!". Peter Sellers .... Dr. Fritz Fassbender
Edra Gale: "¡Dime quién es esa mujer!".
Peter Sellers: "Esto se ha acabado. ¡Vete a la cocina!".
Edra Gale: "¿Por qué no viniste anoche a casa?".
Peter Sellers: "¡Déjame en paz, tengo que trabajar!".
Edra Gale: "¿Es más guapa que yo?".
Peter Sellers: "¿Qué si es más guapa que tú?. ¡Hasta yo soy más guapo que tú!".
Edra Gale: "¡Oh, grosero!... Llevas carmín en la camisa".
Peter Sellers: "Bueno, nadie es perfecto".
Edra Gale: "Ya sé que no es la primera".
Peter Sellers: "¡Mira!" [Señala al cielo y se escabulle.] "¡Te mentí!. ¡He estado mintiéndote!. ¡Te he odiado desde el instante en que nos casamos!. ¡Eres grotesca!".
Edra Gale: "¡Y tú, un adúltero lascivo!".
Peter Sellers: "No te atrevas a llamarme eso hasta que yo sepa lo que quiere decir".
Edra Gale: "¡Adúltero!. ¡Adúltero!. ¡Eres un adúltero lascivo!".
Peter Sellers: "¡Guarda silencio mientras gritas!". [Consulta un grueso tomo mientras lee.] "Adúltero lascivo, aquí está." [Lee:] "Adúltero lascivo es le hombre que siendo adúltero es lascivo". "¿Qué birria de libro es este?... ¡Eres un monstruo y un monstruo!. ¡Así por ese orden!".
Edra Gale: "¡Fritz se va de juerga con pelanduscaaaaaaas!".
Peter Sellers: "Delatora, sal de mi despacho". [Forcejean.] "¡Suéltame!. ¡Te romperé todos los huesos de ese cuerpo de vaca".
Edra Gale: [Haciendo una llave Nelson a Peter Sellers.] "¿Tú a mí gusano?".
Peter Sellers: "¿Te das cuenta de que podría hacerte papilla si te aplico mis métodos de cinturón negro?". [Saca un abrecartas del cajón.] "¡Te mataré!. ¡Te degollaré!. Sí te degollaré". [Llaman al timbre de la puerta. Se separan y Peter Sellers se recompone rápidamente.] "Vete. Ya continuaremos luego".

QUÉDATE A MI LADO (1998) Stepmom
"Yo tengo su pasado, tu puedes tener su futuro". Susan Sarandon .... Jackie Harrison
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¡Quizá el problema es que su hijo es un pequeño mocoso! Julia Roberts .... Isabel Kelly
"Salga de mi casa. Susan Sarandon .... Jackie Harrison
"¿Usted está seguro? Yo no vi eso en mi horario. Julia Roberts .... Isabel Kelly
-------------------------------------------------------------------------

"¿Usted piensa que Isabel es bonita? Liam Aiken .... Ben Harrison
"Efectivamente... si le gustan los dientes grandes. Susan Sarandon .... Jackie Harrison
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"¿Vea Mamá? ¡Yo le dije! Yo soy el telepatético. Liam Aiken .... Ben Harrison
"Telepático. Susan Sarandon .... Jackie Harrison
"Éso es lo que yo dije. Liam Aiken .... Ben Harrison
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"No es que que yo no pueda cocinar, es que yo decido no cocinar. Julia Roberts .... Isabel Kelly
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"Simplemente porque usted no puede ver algo, no signifique no está allí. Susan Sarandon .... Jackie Harrison
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[a Ed Harris .... Luke Harrison ]
"No luche conmigo cuando yo tengo hambre. Julia Roberts .... Isabel Kelly
--------------------------------------------------------------------------------
"¿Hola?... cual es su problema? Julia Roberts .... Isabel Kelly
"¡USTED es mi problema! Jena Malone .... Anna Harrison
--------------------------------------------------------------------------------
"Nosotros lo pagaremos. Usted no está solo en esto que usted sabe. ¿Usted no tiene que ir solo... usted sabe eso? ¿Entiende lo que yo estoy diciendo? Ed Harris .... Luke Harrison
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"¡Yo no tengo que escucharla, usted no es mi madre! Jena Malone .... Anna Harrison
Isabel: ¡AGRADEZCA A DIOS POR ESO!
--------------------------------------------------------------------------------
"¿Qué vamos decirles a los niños? Susan Sarandon .... Jackie Harrison
"Debemos decirles la verdad. Debo de haber sido yo en lugar de usted. Ed Harris .... Luke Harrison
Yo con eso, estoy de acuerdo. Susan Sarandon .... Jackie Harrison
--------------------------------------------------------------------------------
Usted parece cansado. Julia Roberts .... Isabel Kelly
Odio cuando las personas dicen eso. Es como una manera cortés de decirle que usted parece como que se está cagando... Susan Sarandon .... Jackie Harrison

RAMBO II (1985)
Rambo: First Blood Part II
"Prescindible' es, cuando te invitan a una fiesta. Tu no vas, pero nadie se da cuenta". Silvester Stallone .... John J. Rambo
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"Rambo, le Juro por Dios, que yo no sabía lo que pasaba allí. ¡Simplemente se suponía que era otra asignación! Charles Napier .... Marshall Murdock
"La misión... fue cumplida. Usted sabe que hay más hombres fuera de allí y usted sabe donde están ellos. Yo los encontraré... Silvester Stallone .... John J. Rambo
--------------------------------------------------------------------------------
"
[leyendo el archivo de Rambo] Rambo, John J. Nacido 7-6-47 en Boey, Arizona. Decendientede indio-alemana - ése es un infierno de combinación. Alistado en el ejército el 8-6-64. Aceptado en las fuerzas especiales, especialización: armas ligeras, estudiante de medicina, helicópteros e idiomas; calificado de 59 muertes inveteradas. Dos Estrellas de Plata, cuatro de Bronce, cuatro Corazones Purpúreos. La Cruz de Servicio distinguida y Medalla de Honor. Increíble. Charles Napier .
... Marshall Murdock
RATAS, RATONES Y RATEROS (1999)
"Si vas a colocar tu corazón en una jaula de cristal, ten cuidado de no dejarla al filo del amor".
Jaime Rosero

RECUERDOS
"Para ti soy ateo. Para Dios, soy la fiel oposición".
Woody Allen

RESERVOIR DOGS (1992)
"Tienes dos maneras de hacer las cosas, la mia... o la puta calle!". Lawrence Tierney .... Joe Cabot
"¿Has terminado ya?, por que me importa una mierda lo que sepas o no sepas... te voy a torturar de todos modos". Michael Mardsen .... Mr. Blonde/Vic Vega
"No creo en las propinas". Steve Buscemi .... Mr. Pink
RIO GRANDE


RIO SALVAJE


SALVAR AL SOLDADO RYAN


SEABISCUIT Más allá de la Leyenda (2003)


SENTIDO Y SENSIBILIDAD


SER o NO SER -
To Be Or Not To Be, 1942
"Me sentía tan mal después del ensayo, le dije a Doobosh que pusiera primero tu nombre en el cartel" Jack Benny .... Joseph Tura
"¿Lo hiciste, cariño? Es tan amable por tu parte, realmente no importaba." Carole Lombard .... Maria Tura
"Eso dijo Doobosh, así que lo dejamos como estaba". Jack Benny .... Joseph Tura

SERENDIPITY


SEVEN


SIETE DÍAS Y UNA VIDA


SIN CITY


SIN PERDÓN


SLEEPY HOLLOW

"La verdad no es siempre lo aparente". Jhonny Deep

SOLAS


SÓLO ANTE EL PELIGRO


SÓLO LOS TONTOS SE ENAMORAN


SOPA DE GANSO


SOSPECHOSOS HABITUALES


SPIDERMAN 1
"Todo gran poder conlleva una gran responsabilidad" (Spider-Man)

SPIDERMAN 2


SR. Y SRA. SMITH


SRA. DOUBFIRE


STAR WARS 1 LA AMENAZA FANTASMA
"El miedo es el camino al lado oscuro... El miedo conduce a la ira, la ira conduce al odio, el odio conduce al sufrimiento... Veo mucho miedo en ti...
STARSKY & HUTCH: LA PELÍCULA


TAXI DRIVER


TENER O NO TENER -
To Have and Have Not, 1944
"¿Por qué has hecho eso?". Humphrey Bogart .... Harry 'Steve' Morgan
"Sólo quería saber si me iba a gustar". Lauren Bacall .... Marie 'Slim' Browning
"¿Y te ha gustado?". Humphrey Bogart .... Harry 'Steve' Morgan
"No lo he decidido aún". Lauren Bacall .... Marie 'Slim' Browning
"Y eso". Humphrey Bogart .... Harry 'Steve' Morgan
"Ya sabes que conmigo no tienes que actuar, Steve. No tienes que decir nada, ni tampoco hacer nada. Nada absolutamente. O quizás solo silbar. Porque sabes cómo silbar, ¿no Steve?. Tan solo tienes que juntar los labios y ... soplar".
Lauren Bacall .... Marie 'Slim' Browning

TERMINATOR


TESIS

The Body (2001)

1 Moshe Cohen : When the Vatican recognizes an undivided Jerusalem as the capital, the bones will be released.
2 Abu Yusef : As you said before, God has no place in politics.
3 [ Reading from Father Gutierrez's file ]
Cardinal Pesci : I believe that Jesus Christ is God because I spoke to Him this morning in my prayers. And I've known that He was God since I was a boy. He has always been my best friend even though I haven't always been His. In Him, I have peace.
4 Sharon Golban : Christ said the truth will set you free.
5 Dr. Sproul : This is unusual. Minor indentations from the coronal suture along the frontal. The skin was pierced with something right to the skull, pointed objects of some kind, but not metal. You see? There's no oxidation. All the way along the supra orbital notch. Ah. Our fellow was obviously... male, yes... and certainly crucified. I'm not sure about this date, 500 BC. It appears roman.
Sharon Golban : Why?
Dr. Sproul : Well, if you see this mark here on the ribs, looks like they finished up with a round spear. Build up of right forearm. A mason. A carpenter... just like Christ.
6 Moshe Cohen : To have Israel in something so potentially dangerous to Christianity could have serious repercussions for us.
7 Father Gutierrez : I thought I had lost my faith in Christ, in God, my savior, my friend. But I had didn't. I've lost my faith in serving men like you or Moshe Cohen, who use God to justify their material agendas. That's why I now choose to serve God in my own personal way.
8 Father Winstead : It's the Bible. It's a big book, but it's a crackin' read.
9 Sharon Golban : All Israelis drive like this.
Father Gutierrez : Well then, all Palestinians have to do is give you faster cars, and wait for the inevitable.
10 Moshe Cohen : Religion is not based on rational system of proofs. It survives because of human need.
11 Father Lavelle : What will you do, Jesuit, if you discover that it is Christ in that tomb? A man like all of us?
Father Gutierrez : I will turn to God for the answer.
12 Cardinal Pesci : We are counting on you to protect the church.
Father Gutierrez : Protect the faith.
Cardinal Pesci : That's synonymous. You protect the church, you protect the faith.

THE ITALIAN JOB

THE FROM PAGE (1931)
[first lines]
Title card: This story is laid in a mythical kingdom.

[McCue is questioning a woman via the telephone]
'Mac' McCue: Is it true that you took the part of Lady Godiva for charity seven years ago? Hello? She cut off!
Jimmy Murphy: What? Her hair? Tell her I'll be right over.

[Hildy tries to explain to his fiancee why he's still working for Walter Burns' newspaper when he promised to resign]
Hildebrand 'Hildy' Johnson: Listen, dear, something terrific has happened. I was going to tell but I couldn't!
Walter Burns: Tell her nothing. She's a woman, you fool!

Hildebrand 'Hildy' Johnson: I'm all washed up.
Walter Burns: What's that?
Hildebrand 'Hildy' Johnson: I mean it this time, Walter.
Peggy Grant: Oh, Hildy, if I only thought you did!
Hildebrand 'Hildy' Johnson: If I'm not telling you the absolute truth, may I fall dead. I'm going to New York tonight with you, if you give me one last chance. I'm going to cut out drinking and swearing and everything connected with the crazy newspaper business! Honey, I'll never even read a newspaper.

[last lines]
Walter Burns: The son of a...
[Walter's elbow conveniently hits a telewriter keyboard]
Walter Burns: ... stole my watch!

TIENES UN E-MAIL


TIERRAS DE PENUMBRA


TIGRE Y DRAGÓN


TITANIC


TITUS


TODO LO DEMÁS


TODO SOBRE MI MADRE


TOP GUN

TORRENTE, EL BRAZO TONTO DE LA LEY

TRAFFIC

TRAINSPOTTING

TRECE DÍAS

TROYA

UN AMERICANO EN PARIS

Jerry Mulligan: Back home everyone said I didn't have any talent. They might be saying the same thing over here but it sounds better in French.

--------------------------------------------------------------------------------
Adam Cook: I'm a concert pianist. That's a pretentious way of saying I'm... unemployed at the moment.

--------------------------------------------------------------------------------
Jerry Mulligan: That's... quite a dress you almost have on.
Milo Roberts: Thanks.
Jerry Mulligan: What holds it up?
Milo Roberts: Modesty.

--------------------------------------------------------------------------------
Adam Cook: It's not a pretty face, I grant you, but underneath its flabby exterior is an enormous lack of character.

--------------------------------------------------------------------------------
Henri Baurel: You only find the right one once.
Adam Cook: That many times?

--------------------------------------------------------------------------------
Jerry Mulligan: Where is everyone?
Milo Roberts: Here.
Jerry Mulligan: Downstairs?
Milo Roberts: No, here in this room.
Jerry Mulligan: What about that extra girl?
Milo Roberts: That's me.

--------------------------------------------------------------------------------
[first lines]
Jerry Mulligan: This is Paris, and I'm an American who lives here. My name is Jerry Mulligan, and I'm an ex G.I. In 1945 when the army told me to find my own job, I stayed on. And I'll tell you why: I'm a painter, and all my life that's all I've ever wanted to do.

--------------------------------------------------------------------------------
Lise Bouvier: Maybe Paris has a way of making people forget.
Jerry Mulligan: Paris? No. Not this city. It's too real and too beautiful to ever let you forget anything.

--------------------------------------------------------------------------------
[last lines]
Lise Bouvier: Jerry, don't let me leave you this way.

--------------------------------------------------------------------------------
Jerry Mulligan: What gets me is, I don't know anything about her. We manage to be together for a few moments and then off she goes. Sometimes we have a wonderful time together and other times it's no fun at all. But I got to be with her.

--------------------------------------------------------------------------------
Jerry Mulligan: Well, uh, with a binding like you've got, people are going to want to know what's in the book.


UN DÍA EN LAS CARRERAS

"Señorita, envíe un ramo de rosas rojas y escriba "Te quiero" al dorso de la cuenta.
----

Groucho: "¿Ya has olvidado aquellas noches en la Riviera cuando los dos contemplábamos el cielo? Éramos jóvenes, alegres, inocentes. La noche en que bebí champaña en tu zapato - dos litros. Hubiera cabido más, pero llevabas plantillas. ¡Oh, Hildegarde! No es que me importe, pero, ¿dónde está tu marido?".
Margaret Dumont: "¡Ha muerto!".
Groucho: "Seguro que sólo es una excusa".
Margaret Dumont: "Estuve con él hasta el final".
Groucho: "No me extraña que falleciera".
Margaret Dumont.:"Lo estreché entre mis brazos y lo besé".
Groucho: "Entonces, fue un asesinato. ¿Te casarías conmigo? ¿Te dejó mucho dinero? Responde primero a lo segundo.
Margaret Dumont: "¡Me dejó toda su fortuna!".
Groucho: "¿No comprendes lo que intento decirte? Te amo. Pensarás que soy un sentimental, pero ¿te importaría darme un mechón de tu cabello?".
Margaret Dumont: "¿Un mechón de mi cabello?".
Groucho: "Y no te quejes. Te iba a pedir toda la peluca. Cásate conmigo y tendremos nuestra propia familia".
Margaret Dumont.: "Oh, sería maravilloso. Y dime, cariño, ¿tendríamos una bonita casa?".
Groucho: "Pues claro. ¿No estarás pensando en mudarte?".
Margaret Dumont: "Temo que después de llevar algún tiempo casados, encuentres una mujer hermosa y te olvides de mí".
Groucho: "No te olvidaré. Te escribiré todas las semanas".

UN FINAL MADE IN HOLLYWOOD

UN LADRÓN EN LA ALCOBA

UN MARIDO RICO

UN PASEO PARA RECORDAR

UNA MENTE MARAVILLOSA

UNA NOCHE EN LA OPERA -
A Night At The Opera,1935
"Estaba con esa mujer porque me recuerda a usted... sus ojos, su cara, su risa... todo me recuerda a usted... excepto usted.
"Hasta luego cariño... ¡Caramba!, la cuenta de la cena es carísima... ¡Es un escándalo!... ¡Yo que tú no la pagaría!

----
"Esa mujer. ¿Sabe por qué estaba con ella?. Groucho Marx .... Otis B. Driftwood
"No". Margaret Dumont .... Mrs. Claypool
"Por que me recuerda a usted". Groucho Marx .... Otis B. Driftwood
"¿De verdad?". Margaret Dumont .... Mrs. Claypool
"Desde luego. Por eso es por lo que ahora estoy aquí sentado con usted. Porque me recuerda a usted. Sus ojos, su garganta, sus labios. Todo lo suyo me recuerda a usted... excepto usted". Groucho Marx .... Otis B. Driftwood

UNA PROPOSICIÓN INDECENTE
"Alguien dijo alguna vez: si deseas algo con mucha fuerza, déjalo en libertad. Si vuelve a tí, será tuyo para siempre. Si no regresa, no te pertenecía desde el principio". Demi Moore

UNA TERAPIA PELIGROSA

VACACIONES EN ROMA

Vanilla Sky (2001)

Sofía: I think she's the saddest girl to ever to hold a martini.

Sofía: I'll tell you in another life, when we are both cats.

[last lines to Sofia]
David: Do you remember what you told me once? That every passing minute is a another chance to turn it all around.
Sofía: I'll find you again.
David: I'll see you in another life... when we are both cats.

Libby: You'll be meeting Rebecca Dearborn, my personal role model.

Brian: And I know sour, which allows me to appreciate the sweet.

David: He never watched television, and yet his biggest magazine is still the TV Digest.

[Brian leaves the party drunk]
Brian: I good you bid evening.

Brian: Julie Gianni is your fuck buddy?

David: Even in my dreams, I'm an idiot who knows he's about to wake up to reality.

David: My dreams are a cruel joke. They taunt me. Even in my dreams I'm an idiot... who knows he's about to wake up to reality. If I could only avoid sleep. But I can't. I try to tell myself what to dream. I try to dream that I am flying. Something free. It never works...

Sofía: Every passing minute is another chance to turn it all around.

Sofía: Holy God. This is going to change my life in a zillion different ways. I must be nuts.

Various: Open your eyes.

[first lines]
Sofía: [in Spanish] Open your eyes.
Sofía: [in English] Open your eyes. Open your eyes. Open your eyes. Open your eyes. Open you...
[David wakes up and pushes the snooze button on his alarm]

[last lines]
The Future: [voice] Relax, David. Open your eyes.

Rebecca Dearborn: This is a revolution of the mind.

Julie: Don't you know that when you sleep with someone, your body makes a promise whether you do or not.

David: And to what do I owe this pleasure?
Sofía: The pleasure of Sofia Serrano.

Thomas Tipp: Do you know they even got a... well, a nickname for you behind your back? Heh? Citizen Dildo.

Sofía: What about you? What's your nickname?
David: Citizen Dildo.
Sofía: Hmm. You are not staying over.

Julie: Four times... it means something, David.

Brian: Just remember, the sweet is never as sweet without the sour, and I know the sour.

Rebecca Dearborn: Most of us live our whole lives... without any real adventure to call our own.

Rebecca Dearborn: What is any life without the pursuit of a dream?

Thomas Tipp: ...maybe you should let people see you, yeah? I mean, the last time we were together, you were, you were, you were in a coma, and you were very fucking rude to me. You didn't say a word.

Thomas Tipp: But I say this with complete love. Claim your life. Learn to be an asshole. Don't...
David: Two's enough.
Thomas Tipp: Forgive me. But I still believe in this family, David, even if it's only you.

David: See, I've got this little problem. I've got a stalker.
Sofía: It doesn't sound life threatening.
David: But I need a cover. I need for you to pretend we're having a scintillating conversation, and you are wildly entertained.
[Both laugh]
David: I know it's tough.
Sofía: I'll improvise.

David: Thomas Tipp was right; people will read again.

David: Is it me?

David: No. Tell me now.
Sofía: I'll tell you later.
David: If something's wrong please tell me now.

David: Say everything now, now, now, now.

David: Look at us. I'm frozen and you're dead, and I love you.
Sofía: It's a problem.
David: I lost you when I got in that car. I'm sorry.

Brian: You're rich and women love you, and I'm from Ohio and I'm drunk. Can I tell you the truth?
David: Everybody does.
Brian: I dig her, and I've never said this to you before about any girl. But she could be, could be, could be, could be the girl of my fucking dreams.
David: You're not from Ohio.
Brian: I know.

David: You're not blind. You're drinking Jack Daniels, and when you drink Jack, you start in with that... Frank Sinatra, she shot me down, give me a cigarette, "King of Sad" thing.
Brian: That I do. Give me a cigarette.

Brian: You will never know the exquisite pain of the guy, who goes home alone.

Sofía: But I just think good things will happen, if you are a good person with a good attitude, don't you think?

Edmund: It's been a brilliant journey of self-awakening. And now you've simply got to ask yourself this: What is happiness to you, David?

Edmund: Its been a brilliant journey of self-awakening, now you simply have to ask yourself this... What is happiness to you David?

David: My father wrote about this in his book. Chapter 1... Page 1... Paragraph 1: What is the answer to 99 out of 100 questions?... Money.

David: The little things... there's nothing bigger, is there?

David: Where's Sofia? WHERE IS SHE?
Julie: I AM SOFIA.

David: Doc, once you've been driven off a bridge at 80 miles an hour, somehow you don't invite happiness in without a full body search.

David: I wanna wake up! Tech support! It's a nightmare! Tech support! Tech support!

David: These? These are more than headaches. These are steel plates slicing through my every thought.

[Sofía is taking David's mask off]
David: How bad is it?
Sofía: ...Well... your ears are in the right place... And the rest of it... is not bad at all. It's perfect!

Dr. Curtis McCabe: Dig deep, David.

David: I want to live a real life... I don't want to dream any longer.

Brian: You're in O.J.-land.

Julie: Don't ever say that word. I will never come over and bring you chicken soup and fuck your brains out again.

Dr. Curtis McCabe: I'm real. I'm... I'm... mortality as home entertainment? THIS CANNOT BE THE FUTURE. Can it? CAN IT?

Dr. Curtis McCabe: You do understand that our time is limited, don't you?
David: If I talk...you'll just think I'm crazy.
Dr. Curtis McCabe: With all the possible respect I can offer a man wearing a latex mask and spouting conspiracy theories, David, believe me, you've crossed that bridge.

Dr. Curtis McCabe: And you didn't immediately wanna sleep with her?
David: Well, you know, I'm a pleasure delayer.

[David receives his facial prosthetic]
Dr. Pomeranz: It's a helpful unit.
David: Good. Because for a minute there, I thought we were talking about
[shouts]
David: a fucking mask!
Dr. Pomeranz: It's only a mask... if you treat it that way.
David: Oh, no. It's great. This completely takes care of Hallowe'en. But what about the other 364 days of the year?

Julie: I'm so afraid of how powerful this is!

Sofía: Do you love me? I mean really love me. Because if you don't... I'll just have to kill you.

David: I WANNA WAKE UP!

Dr. Curtis McCabe: [McCabe tells Libby about his relationship with David] He's my son. He's very shy.

David: I like your life.
Sofía: Well, it's mine and you can't have it!

Julie: If I wasn't me, I'd buy my album.
David: You know, if you can reach one person.

David: Somebody died. It was me.

Brian: We almost died, man...And do you know what I saw?
David: What?
Brian: Your all life flashing in front of me...
David: And how was it?
Brian: Almost worth dying for...

Edmund: There are no guarantees, but remember: Even in the future, the sweet is never as sweet without the sour.

VERANO DE CORRUPCIÓN - Apt Pupil (1998)
Todd Bowden: All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. Like Icarus we too have been given gifts: knowledge, education, experience. And with these gifts comes the responsibility of choice. We alone decide how our talents are bestowed upon the world. This is our destiny and we hold it in the palm of our hands.

[Todd presents Dussander with his old SS uniform]
Kurt Dussander: Maybe I'll put it on and do a little shopping, is that what you thought?

Edward French: You can't do this Todd.
Todd Bowden: You have no idea what I can do.

Todd Bowden: Well don't forget, I could walk right in there and pick up that phone!
Kurt Dussander: And do what? Do you really think that I would just stand by and let you turn me in without dragging you under with me? You American's self confidence is so bloated that you have forgotten the reality of the situation. 90,000 people died in that camp. To the whole world, I am a monster... and you have known about me. When I am caught, when those reporters stick their microphones in my face, it will be your name I will repeat over and over again. "Todd Bowden... Todd Bowden. Todd Bowden, yes that was his name. For months, almost a year, he wanted to know everything. That was how he put it... yes... everything."
Todd Bowden: You're crazy. They'll never believe you.
Kurt Dussander: It doesn't matter. And besides, lying to judges and reporters isn't as easy as you think. Can you do that? I know I can. And do you know what such a scandal can do? It never goes away. Not for you, not for your parents.
Todd Bowden: You can't do this.
Kurt Dussander: Boy the time for discussion is over. This is how it is: you are going to work. You are going to spend weekends and all your vacations studying.

Kurt Dussander: And besides, lying to judges and reporters isn't as easy as you think. You'd have to be BRILLIANT. Can you do that? I know I can.

Kurt Dussander: Be careful, boy. You play with fire.

Walker (1987)
Yrena: I have a weakness for small men. Small puritans obsessed by power.
Yrena: You were very good last night. Not great, but for a gringo good enough.

William Walker: One must act with severity, or perish.

Doubleday: I cannot help noticing Sir, during the time I've spent with you, that you've betrayed every principle you've had, and all the men who supported you. May I ask why?
William Walker: No you may not.
Doubleday: What exactly are your aims?
William Walker: The ends justify the means.
Doubleday: What are the ends?
William Walker: I can't remember.

Cornelius Vanderbilt: No one will remember Walker. No one will remember men who lose.



 

"Drácula"; (Dracula, 1931), dirigida por Tod Browning. Guión de H. Deane y J.L. Balderston.

Bela Lugosi: "Yo nunca bebo ... vino".

"Manhattan"; (Manhattan, 1979), dirigida por Woody Allen.

Woody Allen: "Finalmente tuve un orgasmo; y mi doctor me dijo que era de la clase equivocada".

"Pistoleros de agua dulce"; (Monkey Business, 1931), dirigida por Norman Z. McLeod.

Groucho Marx: "¿Llamas a esto una fiesta?. La cerveza está caliente y las mujeres frías".

"Tener y no tener"; (To Have and Have Not, 1944), dirigida por Howard Hawks.

Walter Brennan: "¿Te ha picado alguna vez una abeja muerta?.
Humphrey Bogart: "¿ Una abeja muerta?. Eso es imposible".
Walter Brennan: "Claro que es posible. Hay que tener mucho cuidado con las abejas muertas cuando uno las pisa con los pies descalzos. Si las pisas pueden picar tan fuerte como cuando están vivas, sobre todo si estaban enfadadas cuando las mataron".

"Con faldas y a lo loco"; (Some Like It Hot, 1959), dirigida por Billy Wilder.

Jack Lemmon (describiendo los movimientos de Marilyn Monroe): "Mira c&oacutemo se mueve, es como mermelada en conserva. Te dije que son un sexo completamente distinto".

 

"¡Dulce hogar ... a veces!"; (Parenthood, 1989), dirigida por Ron Howard.

Martha Plimpton: "Dijo que me quería".
Dianne Wiest: "Ay querida. Siempre dicen eso cuando se corren".

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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